Kevin J. Anderson’s Nether Vortex takes the lost crew of Nether Station into a war across the galaxy, and finds real cosmic horror on the way. This sequel in the Nether series is a Lovecraftian space opera with scale, pace and a late turn that changes everything.
Book Reviews
Honest, in-depth reviews of new horror novels, collections and novellas, from the big releases to the small presses and indie voices you won't find anywhere else.
Film Reviews
Reviews of new horror films in cinemas, on streaming and on the festival circuit, from the blockbusters to the micro-budget gems worth hunting down.
Interviews
Conversations with the writers and filmmakers shaping horror today: what drives their work, where the dread comes from, and the stories behind the stories.
Features
Long reads on why horror matters, from genre histories and deep dives into classics to our personal My Life in Horror, What's On Shudder essays and Fright Club lists.
The Young Blood Library
Round-ups, age-by-age reading lists and reviews written with young readers, for parents, teachers and librarians looking for the right scare.
Jo Salazar’s If We Survive the Night started out as The Dead Weight, released by the author herself, and arrives from Sourcebooks Fire in 2026. In this interview, the YA zombie writer talks about building a protagonist you follow but never trust, writing institutional damage without a diagnosis, and why Quinn will never get the redemption arc readers keep waiting for.
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Nat Cassidy’s Nestlings sends two exhausted new parents into a grand Manhattan building that wants their baby. This apartment horror novel blends vampire horror with motherhood horror, disability and Jewish identity, and it earns its Rosemary’s Baby comparisons. Only a last act that explains too much holds it back.
Savita Kalhan talks about The Lost Name Society, her YA folk horror novel written as S R Krish, in which five teenagers face deadly games at a gothic boarding school. This horror author interview covers dark academia, gargoyles, a cut final chapter and why leaving terror unwritten can make teen horror books more frightening.
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