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Movie Reviews
The Sea Hides Its Dead By Megan Bontrager: Cosmic Horror That Makes You Confess
Trapped in a sea cave that rose overnight off the coast of Maine, nine academics must atone for their greatest sin or die. Megan Bontrager’s The Sea Hides Its Dead turns cosmic horror into a moral reckoning, and it is one of the finest horror novels of 2026.
Nightborn Review: Hanna Bergholm’s Finnish Folk Horror Nightmare
Hanna Bergholm follows Hatching with Nightborn, a Finnish folk horror about a mother who cannot love her own baby. Hope Madden’s review looks at how Seidi Haarla and Rupert Grint keep the film’s sympathies shifting. The creature effects wobble, but the nightmare holds.
Son of Sara Review: Houston Bone’s Sly Satanic Pregnancy Horror
Son of Sara takes the well worn Satanic pregnancy formula and finds fresh life in it, thanks to Houston Bone’s patient direction and a cast who make even familiar scenes land. Chloe Van Landschoot and Tymika Tafari sell the relationship at its centre, and the film’s quiet change in theme upends the expected ending. An indie horror film that spends its small budget wisely and gets you out in under ninety minutes.
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Tinsman Road Review: Robbie Banfitch’s Found Footage Grief Horror
Robbie Banfitch follows The Outwaters with Tinsman Road, a found footage horror about a missing sister, a grieving mother and a camcorder that cannot quite capture what is out there. Jim McLeod reviews the New Jersey grief horror ahead of its UK digital release through Blue Finch Films.
Marla by Jonathan Janz Review: A Slow-Burn Gothic Horror That Bruises
Jonathan Janz turns a small-town urban legend into a slow-burn gothic nightmare about grief, guilt and the girl everyone was too scared to actually see.
Lost In Found Footage by Joey Powell, Turns A Horror Fan Into The Final Girl
Joey Powell’s Lost in Found Footage traps a horror vlogger inside the cursed film he sneaked a camcorder into. Abby Wolf reviews a metafictional horror novel that asks whether knowing every found footage trope actually keeps you alive in Hope Hollow. Out from Mad Axe Media on 11 August 2026.
Re-run of the Repressed (or why every franchise monster you’ve ever loved ends up as a dog on a leash …) by Philip A. Suggars
Philip A. Suggars charts the four phase decline of horror franchise monsters, from the pure terror of Alien: Earth and Michael Myers to the merch shelf and the leash. Drawing on Freud, Robin Wood, and Mark Fisher, he asks why The Thing and It Follows stay frightening while everything else gets a Funko Pop. The domestication of horror monsters, it turns out, is exactly what the culture industry does best.
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Hand-Me-Downs by Neil Williamson: The Horror You Inherit
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Ambiguous Horror: Why A.J. Vane Refuses to Explain the Ending
A.J. Vane argues that ambiguous horror is not a cop-out but the hardest thing the genre can do. Drawing on Robert Aickman, Shirley Jackson and Picnic at Hanging Rock, this guest essay defends the unexplained ending and the fear that keeps working long after the book is shut. From the author of The Night Fair.
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The House on Blood Street by Josh Hanson: A Giallo Descent
Josh Hanson’s The House on Blood Street is literary haunted house horror with a giallo heart, a story about obsession and grief that makes the house feel like yours before it takes everything away. Here is my full review of the Black Crow Books release, out 29 July 2026.
Demon Hunter: Time 2 Kill Review: Zoe Kavanagh Goes Full 1987
Zoe Kavanagh flings Niamh Hogan’s Taryn Barker back to 1987, where a summer camp slasher and a cult run by Lisa Wilcox stand between her and the Necrox. This action horror sequel skips the po-faced polish and goes straight for practical gore, real stunts and big daft fun. Here is why the indie horror slate has a new favourite.
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