Ben Unsworth reviews Cthulhu Cymraeg: The Night Country, the Welsh Lovecraftian anthology edited by Mark Howard Jones for Macabre Ink. Its seven long stories trade tentacles for mood, with Arthur Machen’s land as the backdrop for some fine Lovecraftian fiction. John Llewellyn Probert and George supply the two tales he expects to see … Cthulhu Cymraeg: The Night Country by Mark Howard Jones Review: Lovecraft, Welsh StyleRead more
Book Reviews
Honest, in-depth reviews of new horror novels, collections and novellas, from the big releases to the small presses and indie voices you won't find anywhere else.
Film Reviews
Reviews of new horror films in cinemas, on streaming and on the festival circuit, from the blockbusters to the micro-budget gems worth hunting down.
Interviews
Conversations with the writers and filmmakers shaping horror today: what drives their work, where the dread comes from, and the stories behind the stories.
Features
Long reads on why horror matters, from genre histories and deep dives into classics to our personal My Life in Horror, What's On Shudder essays and Fright Club lists.
The Young Blood Library
Round-ups, age-by-age reading lists and reviews written with young readers, for parents, teachers and librarians looking for the right scare.
Jo Salazar’s If We Survive the Night started out as The Dead Weight, released by the author herself, and arrives from Sourcebooks Fire in 2026. In this interview, the YA zombie writer talks about building a protagonist you follow but never trust, writing institutional damage without a diagnosis, and why Quinn will never get the redemption arc readers keep waiting for.
Horror Promotion on The Ginger Nuts of Horror Website Hey folks, The Ginger Nuts of Horror … Horror Promotion on The Ginger Nuts of Horror WebsiteRead more
Ben Unsworth reviews Cthulhu Cymraeg: The Night Country, the Welsh Lovecraftian anthology edited by Mark Howard Jones for Macabre Ink. Its seven long stories trade tentacles for mood, with Arthur Machen’s land as the backdrop for some fine Lovecraftian fiction. John Llewellyn Probert and George supply the two tales he expects to see in his year’s best.
In this Jack Mackay interview, the author of Gloam and The Haunting of Old Splinter talks blame, brothers and a wishing claw on the edge of the North York Moors. He also looks back on Gloam’s double win at The Week Junior Book Awards 2026, Indira Varma’s reading of the Gloam audiobook and why middle grade horror should be genuinely scary.
The Role of Pauses in Meaningful Conversations Conversations are very often equated with words. We concentrate … The Role of Pauses in Meaningful ConversationsRead more
Hollow Folk, the new novel from the author of the Dark Things duology, stops the clocks at an Appalachian mountain resort and leaves three co-workers trapped with the hotel’s century-old secrets. Damascus Mincemeyer finds a haunted hotel novel that pairs a charming horror romance with Clark’s most chilling scares yet, and gives it four out of five. Fans of Where Dark Things Grow and Quill & Crow Publishing House will want to check in.
Patrick Freivald’s Mitchcraft: Vacation Magic School is middle grade horror about a boy who knows every spell and can cast none. At a summer camp in the woods, rude children vanish and return polite, and only the kids are scared. A creepy, funny magic school horror from Apokrupha Books that earns its five stars.
Rachel Louise Adams follows No Rest for the Wicked with a Coldren County novel set on a Wisconsin kill floor, and it is a slaughterhouse horror novel with real bite. This Where There’s Smoke review explains why Dolores Hawthorne’s second case earns five stars, and how Adams turns the meat trade’s soft words against the men who run it.
Why a Rising Number Can Feel More Intense Than a Jump Scare Horror games usually arrive … Why a Rising Number Can Feel More Intense Than a Jump ScareRead more
In a guest essay for Ginger Nuts of Horror, Rachel Louise Adams reveals why the second Coldren County novel, Where There’s Smoke, swaps Halloween for a slaughterhouse. She traces the choice to her PhD research and to the ideas in The Sexual Politics of Meat. The result is a slaughterhouse crime novel she calls darker and more personal than No Rest for the Wicked.
