Megan Mostyn-Brown turns a genetic hunger for human flesh into a viciously funny family horror about inheritance, class and the … The Need by Megan Mostyn-Brown Review: Family Hunger Has TeethRead more
Scott Hawkins returns with Blacktail, and in this interview for Ginger Nuts of Horror he explains why he still calls … Scott Hawkins Interview: Blacktail and The Library at Mount CharRead more
Penny Lane Is Dead delivers strong practical gore and real tension inside its beach house setting. But Hope Madden finds … Penny Lane Is Dead Review: Home Invasion HorrorRead more
Iseult Murphy turns a widow’s grief into a door that opens both ways. Irish author Iseult Murphy has built a … Gothic Horror Cover Reveal: Iseult Murphy’s Suffer Their GoingRead more
Tony Jones returns to Young Blood with the horror books for 12 to 13 year olds that Year 8 readers … The Kids Are Alright: YA Horror Books for 12 to 13 Year Olds, Reviewed by KidsRead more
Jo Salazar’s If We Survive the Night started out as The Dead Weight, released by the author herself, and arrives from Sourcebooks Fire in 2026. In this interview, the YA zombie writer talks about building a protagonist you follow but never trust, writing institutional damage without a diagnosis, and why Quinn will never get the redemption arc readers keep waiting for.
Horror Promotion on The Ginger Nuts of Horror Website Hey folks, The Ginger Nuts of Horror … Horror Promotion on The Ginger Nuts of Horror WebsiteRead more
Tony Jones returns to Young Blood with the horror books for 12 to 13 year olds that Year 8 readers cannot leave on the shelf. Drawn from his school’s 100 Book Challenge and over 11,000 pupil reviews, this list runs from Juno Dawson and Charlie Higson to Stephen King’s Gwendy’s Button Box. Every pick comes reviewed by the young readers who devoured it.
Creating Animated Character Portraits from Still Images A character portrait can say a lot in a … Creating Animated Character Portraits from Still ImagesRead more
A.J. Malachite’s debut You See It Too turns the choose-your-own-adventure format into a body-horror trap, sending three queer students into a bayou preserve after a will-o’-the-wisp that turns out to have larvae. It is folk horror, eco-horror and Southern Gothic at once, with old money farming the swamp for generations. Four stars for a gamebook that refuses to let you save everyone.
Isabela Livino’s debut An Immaculate Deception traps a pregnant, devout woman in an isolated 1870s Brazilian estate where a family’s bargain with the devil has gone wrong. A Latin American Gothic of vanishing mirrors and disbelieved women, sitting alongside Mexican Gothic and Rosemary’s Baby, held back only by a slow middle third.
A. Rushby follows Slashed Beauties with All Her Beautiful Deaths, a dual-timeline gothic that turns Victorian death photography into a mystery about grief, art and ownership. It is atmospheric, queer and quietly hopeful, held back only by a present-day strand that crowds out its richer 1865 half.
Tananarive Due’s Mazywood turns a child’s wish in 1926 Old Hollywood into a monster that waits fifty years for the family to come home. This creature feature and historical saga is her first novel since the multi-award-winning The Reformatory, and it confirms Gracetown as one of horror’s great haunted maps. A big, ambitious, occasionally overstuffed four-star return.
Scott Hawkins returns with Blacktail, and in this interview for Ginger Nuts of Horror he explains why he still calls it dark fantasy rather than horror, alongside The Library at Mount Char. He talks through the craft lessons of three unpublished novels, the mechanics of building a villain worth hating, and what he wants a revenge story to leave behind.
