Horror Promotion on The Ginger Nuts of Horror Website Hey folks, The Ginger Nuts of Horror is always looking for new ways to maximize horror promotion for horror books, horror movies, and more, going beyond the traditional review medium. Recently, I’ve been contemplating a wild idea that I believe might … Horror Promotion on The Ginger Nuts of Horror WebsiteRead more
Check Out These Great Horror Articles
Blood in the Bricks: Urban Folk Horror That Crawls Out of the Pavement
Blood in the Bricks proves folk horror doesn’t need fields or standing stones to unsettle you. Neil Williamson’s anthology hauls the genre into the underground, the surgery ward and the skate park, with standout urban horror short stories from James Bennett, Dan Coxon and Ray Cluley. A bleak, brilliant collection that finds the uncanny in the everyday city.
Daggermouth by H.M. Wolfe: Dark Dystopian Romance With Teeth
H.M. Wolfe’s Daggermouth is being sold as dark dystopian romance, but it reads like social horror with the safety off. In New Found Haven, love outside your ring is a death sentence, feminine rage is a survival skill, and a forced marriage becomes a cage. Here is why this enemies-to-lovers opener to The Heart duology belongs on any dark fiction shelf.
Sara Hinkley on The Red Sacrament: Vampires Who Microwave Fish
Costume designer Sarah Hinkley spent years dressing other people’s stories on the sets of SVU and Monsterland. Now she’s written her own: The Red Sacrament, a debut vampire novel set in a starving, besieged 1870 Paris. We talked queer vampire fiction, the long shadow of Interview with the Vampire, and why her immortals are petty, risk-averse, and far too tired of each other.
Nothing Tastes as Good by Luke Dumas: Body Horror Review
Luke Dumas follows A History of Fear and The Paleontologist with Nothing Tastes as Good, a body horror novel that drops Emmett Truesdale into the Obexity weight-loss trial and watches the miracle curdle into cannibal cravings. My review digs into how Dumas turns fatphobia, diet culture, and the Ozempic moment into the year’s most quietly devastating horror.
The Past Wears a Mask: A Conversation with E. L. Chen
Slasher Summer drops seven friends, each named after a slasher icon, back into the cabin where a cult ’80s film was shot. E. L. Chen talks to Ginger Nuts of Horror about the Final Girl, slasher tropes, the nostalgia economy, and writing diverse horror into a canon that killed people like her first. From Sweetside Motel to a Final Girl she keeps marching back onto set, Chen is the literary slasher’s sharpest new voice.
Queens of the Crone Age by Tracy Fahey: The Finest Irish Folk Horror
Tracy Fahey’s Queens of the Crone Age (PS Publishing, 2026) wakes the Cailleach, the Hag of Beara, and threads standalone tales into one long incantation. My review digs into why this feminist folk horror collection, steeped in Irish mythology and the power of older women, is some of the boldest work of her career.
Camp Review: Avalon Fast’s Girl Horror Refuses Every Box
Avalon Fast’s Camp takes the bones of a summer camp horror and grows something stranger from them. This sapphic, witchy coming-of-age tale follows Zola Grimmer’s grief-stricken Emily into a coven of damaged young women, trading slasher mechanics for melancholy magic. Here’s why this girl horror lingers.
My Top 5 DNF Horror Books I’ve Lied About Finishing
Every reviewer lies about the horror books they didn’t finish. This is my DNF confessional, five abandoned novels, the page I quit on, and the daft personal reasons I never made it to the end. Folk horror, slashers, and one book that made me put the telly on.
Stephanie Campisi’s The Unfinished Business: A Cosy Ghost Story
Stephanie Campisi’s The Unfinished Business is a cozy middle-grade ghost story that treats grief and letting go with rare honesty. I dig into the craft, the comedy, and why this spooky middle grade ghost story for kids about found family and the dead we carry sits out in front of where the genre is heading.
The Backrooms is Just a British Backshift With Better Lighting
“Liminal horror” has become a hipster buzzword, so here is what it actually means and where it actually lives: the back of the shop. From Skinamarink, The Exit 8 and Vivarium to Edinburgh’s Hunter’s Tryst and the council-house terror of Ghostwatch, this is the case that the Backrooms are just a British backshift, and that British working-class horror beats the American liminal void at its own game. The Americans get the empty void. We get the void plus a supervisor.
Stephanie Campisi on The Unfinished Business and the Ghosts We Keep
Stephanie Campisi kills off her mentor figure on page eighteen and rehires her as a ghost. In this interview the author of The Unfinished Business talks through her middle grade ghost story: grief played for laughs, a factory fire turned labour satire, and the one death the book refuses to console. Required reading for anyone tracking where cosy horror for kids goes next.
Steal Me by Helen Grant: A Folk Horror Novella That Reads You Back
Helen Grant’s Steal Me is a folk horror novella built on fairy-tale bones, set in a small Scottish town where a bookshop sells each customer the one thing they most want to hide. My review digs into the cursed bookshop, the Grimm folklore at its root, and why this Scottish Gothic chiller about desire and temptation belongs on the same shelf as the folk horror revival.
While They Watch by Leicole Lang: A Horror of Isolation
Leicole Lang’s debut horror novel While They Watch channels the spirit of classic isolation horror, building on sequestered distress to instil some of the most intense chills in recent literary memory. Taking time to establish character before ratcheting up the spookiness, this indie horror masterpiece delivers a slow-burn dread that explodes into pure, adrenaline-pumping fear, refusing to hand-feed answers and staying true to its uncompromising principles straight through to the end.
What Happened to Those Girls: Review of Carlyn Greenwald’s Chilling Thriller
Carlyn Greenwald’s What Happened to Those Girls drops three teenagers into a witch-haunted ghost town and lets only the bodies come back. My review digs into why this queer YA horror thriller, all grief and betrayal and small-town folk horror, hands its murder investigation to the one girl everyone wants to blame.