HORROR BOOK REVIEW Georgia Summers' Trollheim- Nordic Folk Horror Done Right

Georgia Summers’ Trollheim: Nordic Folk Horror Done Right

HORROR BOOK REVIEW Ronald Malfi’s The Hive Review- A 750-Page Nightmare of Conformity and Cosmic Dread

Ronald Malfi’s The Hive Review: A 750-Page Nightmare of Conformity and Cosmic Dread

A Parade of Horribles Review: Matt Dinniman's  Dungeon Crawler Carl Book 8

A Parade of Horribles Review: Matt Dinniman’s  Dungeon Crawler Carl Book 8

HORROR BOOK REVIEW Femme Feral Review- Sam Beckbessinger’s Feminist Werewolf Novel

Femme Feral Review: Sam Beckbessinger’s Feminist Werewolf Novel

HORROR BOOK REVIEW Abyss by Nicholas Binge Review- A Corporate Horror That Hits Too Close to Home

Abyss by Nicholas Binge Review: A Corporate Horror That Hits Too Close to Home

HORROR FEATURE ARTICLE Antony J Stanton on Horror That Shapes a Writer 

Antony J Stanton on Horror That Shapes a Writer 

HORROR FEATURE ARTICLE Help Ginger Nuts of Horror Survive- 18 Years of Horror Reviews

Help Ginger Nuts of Horror Survive: 18 Years of Horror Reviews

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Georgia Summers’ Trollheim: Nordic Folk Horror Done Right

Georgia Summers’ Trollheim: Nordic Folk Horror Done Right

Georgia Summers’ Trollheim: Tale of Sýstir announces itself in its opening pages as something different from the usual Nordic-flavoured fantasy. This is folk horror rooted in genuine Huldra mythology, the figure from Scandinavian folklore whose name derives from the Old Norse huldr, meaning “covered” or “secret.” When Sýstir’s mother is accused of witchcraft and burned at the stake, Summers is not using the witch trial as backdrop decoration. She is placing her story inside a specific, historical horror that resonates because it never entirely stopped being present. Sýstir, half-human and half-Huldra, escapes into the Dark Forest known as Trollheim, taken in by the rogue troll Agagkantor and accompanied by a wildcat companion named Fulgir, building a found family from the materials of loss and displacement.

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Ronald Malfi’s The Hive Review: A 750-Page Nightmare of Conformity and Cosmic Dread

Ronald Malfi’s The Hive Review: A 750-Page Nightmare of Conformity and Cosmic Dread

You know the feeling of coming home to find everything slightly wrong. The couch pulled three inches left. A photograph tilted. Nothing you can name, but your body knows. That’s Ronald Malfi’s temperature with The Hive (Titan Books, April 14, 2026). This 768-page small town horror novel set in Mariner’s Cove, Maryland, builds dread like rust on a locked gate. After a strange storm scatters ordinary junk across the neighbourhood, the residents develop an obsessive attachment to their discoveries. A door. Coat hangers. A tricycle wheel. They lie for these objects. They kill for them. And ten-year-old Cory McBride, newly awakened to strange psychic powers, is the only one who sees the hive mind forming. Malfi spent twelve years wrestling this story into shape. The result is his most ambitious work yet: cosmic horror grounded in the domestic, where the real terror isn’t the monster but the coat hanger in your closet. Read the full review.

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The Demoness Review (2025): Indie Horror‘s Strangest Succubus

The Demoness Review (2025): Indie Horror‘s Strangest Succubus

Andrew de Burgh‘s The Demoness is an indie horror oddity that blends supernatural dark comedy with eighties slasher charm. The film follows Sydney Culbertson‘s physically unhinged succubus as she torments a cast of already-damned Los Angeles residents. This 2025 release delivers practical effects, a memorable villain, and a tone that balances menace with wicked humour. Our full review explores why this low-budget oddball might be your next favourite horror film.