Horror Promotion on The Ginger Nuts of Horror Website Hey folks, The Ginger Nuts of Horror … Horror Promotion on The Ginger Nuts of Horror WebsiteRead more
Joey Powell’s Lost in Found Footage traps a horror vlogger inside the cursed film he sneaked a camcorder into. Abby … Lost In Found Footage by Joey Powell, Turns A Horror Fan Into The Final GirlRead more
Luke Dumas unpacks the fat shame and cannibal cravings driving his Ozempic-era body horror Nothing Tastes as Good. From stolen … “He Just Wanted to Be Seen”: Luke Dumas on Cannibal Cravings, the Ozempic Era, and Writing Fat Shame as Body HorrorRead more
Zoe Kavanagh flings Niamh Hogan’s Taryn Barker back to 1987, where a summer camp slasher and a cult run by … Demon Hunter: Time 2 Kill Review: Zoe Kavanagh Goes Full 1987Read more
Philip A. Suggars charts the four phase decline of horror franchise monsters, from the pure terror of Alien: Earth and … Re-run of the Repressed (or why every franchise monster you’ve ever loved ends up as a dog on a leash …) by Philip A. SuggarsRead more
The 100 Book Challenge has driven library borrowing to record levels, with horror emerging as the most popular genre among … The Kids Are Alright: Horror Books for 11-12 Year Olds, Part 2Read more
Horror Promotion on The Ginger Nuts of Horror Website Hey folks, The Ginger Nuts of Horror … Horror Promotion on The Ginger Nuts of Horror WebsiteRead more
Joey Powell’s Lost in Found Footage traps a horror vlogger inside the cursed film he sneaked a camcorder into. Abby Wolf reviews a metafictional horror novel that asks whether knowing every found footage trope actually keeps you alive in Hope Hollow. Out from Mad Axe Media on 11 August 2026.
Philip A. Suggars charts the four phase decline of horror franchise monsters, from the pure terror of Alien: Earth and Michael Myers to the merch shelf and the leash. Drawing on Freud, Robin Wood, and Mark Fisher, he asks why The Thing and It Follows stay frightening while everything else gets a Funko Pop. The domestication of horror monsters, it turns out, is exactly what the culture industry does best.
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Neil Williamson turns the family bequest into the scariest thing you own. Some objects come with … Hand-Me-Downs by Neil Williamson: The Horror You InheritRead more
A.J. Vane argues that ambiguous horror is not a cop-out but the hardest thing the genre can do. Drawing on Robert Aickman, Shirley Jackson and Picnic at Hanging Rock, this guest essay defends the unexplained ending and the fear that keeps working long after the book is shut. From the author of The Night Fair.
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Josh Hanson’s The House on Blood Street is literary haunted house horror with a giallo heart, a story about obsession and grief that makes the house feel like yours before it takes everything away. Here is my full review of the Black Crow Books release, out 29 July 2026.
Zoe Kavanagh flings Niamh Hogan’s Taryn Barker back to 1987, where a summer camp slasher and a cult run by Lisa Wilcox stand between her and the Necrox. This action horror sequel skips the po-faced polish and goes straight for practical gore, real stunts and big daft fun. Here is why the indie horror slate has a new favourite.
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How UFA UEFA Promotes Fair Play Standards The foundation of the integrity and popularity of football … How UFA UEFA Promotes Fair Play StandardsRead more
A ranking of seven fictional vampires I could kill without breaking a sweat, from Nosferatu to Count Duckula. Yes, David from The Lost Boys makes the list, and yes, I have strong opinions about his hair. Proof that most vampire movies are style over substance.
Juliet Blackwell’s The Séance Garden is a paranormal mystery that builds its horror through accumulated unease rather than cheap shocks. Set in Monterey and centred on a skeptical historian of the occult, this Gothic-tinged supernatural suspense novel asks what happens when the past refuses to stay buried.
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Horror movies about temptation are practically the whole genre in miniature, so picking five meant leaving Nosferatu and The Lure bleeding on the cutting room floor. Our countdown runs from Amat Escalante’s The Untamed to Julia Ducournau’s Raw, taking in Jennifer’s Body, Ken Russell at his most unhinged, and Al Pacino doing the devil in a power suit. Five films, five appetites, no survivors.