A Charming and captivating story filled with a whimiscal sense of dread and forboding, one that transports back to your childhood where you found awe and wonder in the hedgerows.

Bait: A Badgers Crossing by Paul Childs is the second volume in the Tales from Badgers Crossing series of stories from Paul Childs. Aimed at the younger audience, these stories however are hugely entertaining for the older reader. The main strength of these stories is in Child’s ability to capture that sense of awe and wonder we all experience when reading such tales as The Animals from Farthing Wood and, of course, The Worzel Gummidge stories. However, Childs ensures that these stories stand on their own while they tap into that same sense of whimsical folk horror and folk tales of our past; he never once allows these stories to be a rerun of something that has come before.

The relationship between Bert Smallwood and Debbie Carter is a bittersweet one, as SPOILER ALERT Bert dies in the early stages of this book. On the one hand, it is a pity as I loved the relationship that the two of them have as Bert’s death allows for Debbie to come into her own and take up the mantle of the Protector of the badgers. Debbie is a wonderful character, full of heart and a complete disregard for her own safety. She is a headstrong teenager who rises to the challenges that face her.

One of the strongest aspects of “Bait: A Badgers Crossing” is Childs’ ability to vividly bring characters to life. Debbie Carter is a relatable and determined protagonist, grounding the supernatural elements of the story in a way that resonates with readers. The supporting cast is equally compelling, each adding layers of depth to the overall narrative.

The supernatural elements are expertly crafted, immersing readers in a world where legends come to life. Childs’ ability to transport us to the heart of Penlock Forest is nothing short of extraordinary, painting vivid descriptions that tickle the imagination and create a tangible sense of place.

With its engaging storyline, well-developed characters, and atmospheric setting, “Bait: A Badgers Crossing” is a must-read for fans of supernatural fiction. Prepare to be enthralled and enchanted, as this novella leaves you yearning for more from the captivating world of Badgers Crossing.



Bait: A Badgers Crossing by Paul Childs

Bait: A Badgers Crossing by Paul Childs

For over seventy years, Bert Smallwood has cared for the wildlife and flora of Penlock Forest. Now he’s too old and infirm, he asks ten-year-old Debbie Carter, the closest thing he has to a granddaughter, to take on the responsibility.

Tania Hunt has lived her entire life in the shadow of her legendary jewel thief father. When she hears that the forest, and one valuable asset in particular, is no longer protected, she seizes the opportunity to make a name for herself in the criminal underworld.

As Debbie and her school friend Ty Grant make their way to Bert’s cottage for the night, they’re unaware of the dangers – both human and otherwise – that lie ahead.

An exciting adventure with a supernatural edge.

Bait also contains a bonus short story – Eleanor Culpepper & The Crossroads Book.
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The Badgers Crossing series by Paul Childs is a collection of books and short stories set in and around the spooky county of Daxonshire. All the stories are linked but can also be read on their own and in any order. The one thing that they all have in common is that each story unlocks a small part of the mystery – why is Badgers Crossing known as The Most Haunted Town in Britain?

Paul’s debut book, Tales From Badgers Crossing, is available from Greenteeth Press. Bait is his first novella in the series and will be followed by a second – The Convergence – later in 2023.

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  • Jim Mcleod

    Jim "The Don" Mcleod has been reading horror for over 35 years, and reviewing horror for over 16 years. When he is not spending his time promoting the horror genre, he is either annoying his family or mucking about with his two dogs Casper and Molly.

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A Review of “Bait: A Badgers Crossing”

Jim "The Don" Mcleod has been reading horror for over 35 years, and reviewing horror for over 16 years. When he is not spending his time promoting the horror genre, he is either annoying his family or mucking about with his two dogs Casper and Molly.

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Danielle Angelou

I was getting rather fed up of “worthy” horror with weighty themes like grief. Good God some of them are so dull and insular, like the author is saying “Feel sorry for me because I’m so sad,” so I wanted something that was just fun, creepy escapism.
There was a favourable mention of Bait in Fortean Times and then I saw your review pop up on here so I decided to give it a go. It’s been sitting on my TBR pile for the longest time but the gorgeous cover art caught my eye as I walked past the other day so I picked it up and I’m glad I did.
It was such a heartfelt little book with a delicious dark edge. Childs has a really unique way with words. He delivers complex themes using simplistic language, and I don’t mean this in a deorgatory way. It makes his writing an absolute delight to read. You kind of feel like he’s there in the room reading it to you or taking you by the hand and guiding through the events as they unfold.
I can understand why there’s the discussion about whether it’s a YA novel or not and I can imagine kids really enjoying this but I felt there was always a sly wink to Generation X and maybe even early Millennial readers. Even though it’s set in the modern day the story feels like a love letter to a 1980s childhood. The nostalgic tone throughout is gentle and comforting and never threatens to tip over into a maudlin “things aren’t like what they used to be” message as some other 80s inspired books can.
The main characters Debbie, Bert, Tim and Ty are so well drawn but just as much work has gone into the secondary characters. I absolutely loved Will, the thug with a heart and Benny, the thug without one. And The Conductor is such a terrifying idea. He gave me flashbacks to Donald Pleasance warning us away from ponds and lakes (which I guess was deliberate). They was his characters talk to one another is superb. Childs has really managed to encapsulate a conversational tone. The passages of dialogue were great. Book dialogue can often feel stilted or awkward, like the writer is more concerned with how it loks on the page than how it sounds read aloud. But Bait’s conversations feel so natural, like how people actually talk – cutting each other off, suddenly changing subject, pausing between sentences. I’d love to see a play, film or TV drama written by this guy.
One passage in particular really stood out to me where Debbie’s father goes into her bedroom and sadly picks up some of the old toys that she’s starting to grow out of. As a parent of nine and eleven year olds, that choked me up. He really captured that “not quite children but not yet adults” thing kids go through as they start to grow up.
Though it definitely heartwarming and a feel good tale, there is always a tone of unease and dread running through it. That’s a feat that’s really difficult to pull off. The folk horror and supernatural aspects kind of slowly build and build so that when they fully come into play you’re already immersed in them and they don’t feel forced.
I also enjoyed the second much shorter story about a young woman called Eleanor who enters into an agreement with a charming stranger on the road and the consequences that follow. I preferred Bait but I did enjoy the Dark Fairy Tale tone of Eleanor’s story. Though the two are set hundreds of years apart, there is a recurring theme of strong willed young women who fight back against those who underestimate and take advantage of them. In both stories the main character earns their final reward and there’s never a hint of Mary Sue or Chosen One syndrome about them. They’re both strong, intelligent, heroic female characters but with imperfections who sometimes make mistakes or need the help of their friends and that made them all the more believable. I’d be very happy for my daughter to read these stories and see either Debbie or Eleanor as a role model to aspire towards.
Overall this was a beautiful read with relatable characters and I can’t wait to see what Mr Childs produces next.