Hope Madden reviews Raymond Creamer’s Goody Goody, a pregnancy horror feature debut built around two performances that do the heavy lifting. Samantha Robinson and Colleen Foy anchor a slow burn shift from cabin set dread into full blown creature feature, with results that mostly earn their transformation.
Ginger Nuts of Horror’s FrightFest 2026 reviews take in the full run of this year’s FrightFest 2026 lineup, from Tony Todd’s final performance in The Pitchfork Retreat to Yeon Sang-ho’s Colony and the spider infested chaos of Spider Island. Across five days at the Odeon Luxe, David Court and Tara Court rate the highlights, the disappointments and everything in between.
Simon Glassman’s Buffet Infinity is a mind-jangling Canadian sci-fi horror comedy that builds its narrative entirely from regional TV ads. It’s clever, bananas and perhaps brilliant, with a style that sustains itself for ninety-three minutes of simulated channel surfing and cosmic capitalistic catastrophe.
Marco van Belle’s Feed finally puts the Dearg Due, Ireland’s first vampire, on screen in a handsome indie horror. Grace Collender and Charlotte Bradley bring real texture, yet the film keeps slipping into familiar cabin territory instead of its own mythology. Our full review weighs a fresh premise against safe execution.
