Peter Neal’s Gods of the New Age Makes a Weapon of Kindness In Gods of the … Peter Neal’s Gods of the New Age Makes a Weapon of KindnessRead more
Jim McLeod
Hailey Piper’s Cosmic Horror: This Movie Doesn’t End the Way We Want
Hailey Piper sits down with Ginger Nuts of Horror to discuss This Movie Doesn’t End the Way We Want, her second novel steeped in Robert W. Chambers’ King in Yellow. She talks through the Toad Man, the cursed film at its centre, and why she calls horror the most honest genre. Titan Books publishes the cosmic horror on 15 September 2026.
The Woods by Jessica Hamilton: folk horror makes menopause the monster, mostly on its own terms
Jessica Hamilton’s folk horror debut sends a grieving mother into a haunted wood that offers her family a second life, at a price only she has to pay. A true crime podcast framing device and a bold menopause-as-horror metaphor make this one of the more inventive femgore entries this year, even when it over-explains its own best idea.
The Henchperson’s Guide to Unionizing Review: Monsters, Labour and Found Family
Marshall J. Moore turns classic Gothic sidekicks into the centre of the story in The Henchperson’s Guide to Unionizing. Funny, warm and sharp on labour, loyalty and found family, this cosy horror earns its five stars.
Jessica Hamilton on The Woods: And The Monster We Are Scared to Talk About
Jessica Hamilton gives Ginger Nuts of Horror a horror interview on The Woods, her first novel billed outright as horror after two books sold as thrillers. She digs into the femgore wave, her admiration for Marcus Kliewer, and the menopause motif running beneath the supernatural one in this domestic horror novel.
The Rouse by China Miéville Review: A Vast, But Slightly Flawed Reveille
China Miéville returns after fourteen years with The Rouse, a vast work of weird fiction that folds grief, war and necromancy into a single twentieth-century epic. It is a formidable, demanding ghost story, and it rewards patience far more than it courts it. Our four-star review sorts the wonder from the sheer weight of the thing.
Dweller in Darkness by Sam Flynn Review: Grimdark Cosmic Horror With Teeth
Sam Flynn closes the Deadlights Duology with Dweller in Darkness, a grimdark cosmic horror novella of empire, complicity and corrupted mythology. Told through daring second-person narration, this is political horror with teeth.
We Run the Night Review: Kenyan Folklore After Lights Out
Peace Mbengei’s We Run the Night turns a Kenyan boarding school into a sealed arena for folklore, grief and body horror. This five-star YA horror debut makes the night runners frightening, but the adults who refuse to listen are worse.
Peace Mbengei Interview: We Run the Night and the Luo Night Runners
Peace Mbengei talks through her debut YA horror novel We Run the Night, where Luo night runners turn grief into body horror inside a Kenyan boarding school. She discusses the strangler fig at the story’s centre, the institutional cover up that follows, and why forgiveness, not revenge, sets her heroine free.
This Movie Doesn’t End the Way We Want Review: The Screen Bites Back
Hailey Piper takes the cursed film novel and twists it through grief, lost media, queer bonds and cosmic horror. This five-star review looks at why This Movie Doesn’t End the Way We Want makes the act of watching feel unsafe.

