Kelly Creagh built a career on gothic dread, borrowing scaffolding from Poe, Leroux and Brontë. A Date with Death drops the dead authors entirely and writes Death straight, as a foul-mouthed skeleton falling for a children’s librarian. In this Kelly Creagh interview, she unpicks the craft of the paranormal romcom, the Poe fingerprints hidden in the jokes, and where the monster romance boom is actually heading.
