Beyond I Love You to Death: The Most Heartbreaking Romances in Horror
The Fright Club Podcast are looking at heartbreak in horror for Valentine’s Day! Not unrequited love turned to stalkerism, because that’s been done to death and it’s not romantic. But the heartbreak and longing of love and loneliness. And blood.
When “happily ever after” bleeds into “forever.” These are the love stories that haunt you.
5. The Fly (1986)
It was not just David Cronenberg’s disturbed genius for images and ideas that madeThe Fly fly. It was the performance he drew from Jeff Goldblum.
Goldblum is an absolute gift to this film, so endearing in his pre-Brundlefly nerdiness. He’s the picture’s heartbeat, and it’s more than the fact that we like his character so much. The actor also performs heroically under all those prosthetics.
He and Geena Davis make the perfect pair, with their matching height and mullets, and their onscreen chemistry does give the film a level of human drama traditionally lacking from the Cronenberg canon. You root for Seth, and your heart breaks for him too.
4. Candyman (1992)
Has it really been Helen all along? Was she once, long ago, Daniel Robitaille’s forbidden lover? The reason for his suffering and murder?
Tony Todd makes Candyman a seductive, heartbroken phantasm with no choice but to shed blood to continue to exist. When he whispers to Helen, “Be my victim,” how could she say no?
3. Bram Stoker’s Dracula (1992)
Francis Ford Coppola and screenwriter James V. Hart mined Stoker’s text for as much romance and heartbreak as they could find, and if it wasn’t there, they made it up. The Count pines for his tragically lost love, crossing oceans of time for her. That, of course, leaves poor Jonathan heartbroken. But wait, there’s more! Because Lucy chooses Arthur, leaving Quincy and Dr. Jack both heartbroken, and then breaks Arthur’s heart with her own tragic death.
Coppola’s is the hottest, most gorgeous and heartbroken version of the ancient bloodsucker’s story you’re likely to find.
2. Guillermo del Toro’s Frankenstein
Guillermo del Toro is a big ol’ softy. In many ways, that’s what makes Frankenstein a perfect property for him. His heart has always been with the monster, so why not tell the most heartbreaking and terrifying monster story?
Oscar Isaac is a marvel of angry arrogance made humble. As his creature, the long and limby Jacob Elordi offers a monster who’s more sensitive son than wounded manchild. The creature’s heartbreaking relationship with the eternally misunderstood Elizabeth (Mia Goth) is so full of tenderness and longing that the inevitable heartbreak crushes.
You don’t wander into a Guillermo del Toro film expecting less anything than glorious excess—another reason why Frankenstein and he were meant for one another.
1. May (2002)
Oh, May. Oh, Angela Bettis. No one – not even Sissy Spacek – captured the crushing awkwardness of trying to fit in when you are, deep down, cripplingly odd as well as Bettis.
Her May aches for a friend. Maybe even a lover? She has some heartbreaking trouble finding that in Adam (Jeremy Sisto) and Polly (Anna Faris – brilliant). But if you can’t find a friend, you might just have to make one.
Bettis’s performance is all awkward pauses, embarrassing gestures and longing. It’s beautiful, tender, sweet and – eventually – forgivably bloody. We love May.
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