Andrew de Burgh‘s The Demoness is an indie horror oddity that blends supernatural dark comedy with eighties slasher charm. The film follows Sydney Culbertson‘s physically unhinged succubus as she torments a cast of already-damned Los Angeles residents. This 2025 release delivers practical effects, a memorable villain, and a tone that balances menace with wicked humour. Our full review explores why this low-budget oddball might be your next favourite horror film.
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What makes this Salt Along the Tongue so urgent is that Malfitano has crafted something genuinely singular: a possession horror where the scariest thing isn’t a demon, but the love a mother refuses to let go.
Deep Water borrows from better movies so relentlessly that counting the references becomes the film’s sole entertainment.
This Sundance Midnight zombie dramedy wants to be a meditation on grief, not a splatter show. Whether it earns both remains the question.
Didier Konings’ Dutch folk horror debut pits medieval religious patriarchy against the dark power of Witte Wieven—and the bear looks surprisingly friendly.
Damian Mc Carthy’s Hokum expertly blends Irish folklore and vintage horror craft, delivering a polished haunted inn story that feels both comfortingly familiar and deeply unsettling, anchored by Adam Scott’s delightfully brittle lead performance.
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