Avery Flynn’s Hexy Beast throws a chaos witch and a grumpy werewolf alpha into a fated-mates bind, and the banter and spice deliver. This paranormal rom-com is the strongest Sherwood Witches book so far, held back only by a middle that loses its way in the woods.
Horror Book Reviews
Ginger Nuts of Horror has been reviewing horror books for 18 years. Here you will find reviews of new horror novels, novellas and short story collections, from small indie presses to the big imprints, across folk horror, gothic, cosmic, psychological horror and everything in between. Every review is free, independent and honest.
Kiss Slay Replay by Rachel Harrison: Time Loop Horror at Its Sharpest
Rachel Harrison’s Kiss Slay Replay traps wedding guest Willa Sullivan in a time loop with a masked killer and her own regrets. Our review of 2026’s standout slasher explores how the Queen of Contemporary Horror turned anxiety itself into the monster.
She’s a Doll by Barbara Truelove: Killed by Politeness
Luna Gray reviews She’s a Doll by Barbara Truelove, a queer supernatural revenge horror about a young woman murdered by her own manners and reborn inside a haunted porcelain doll. It is a story built on consent, class, and rage as a motor function, published by Ezeekat Press. Brutal, morally unsettled, and unwilling to heal anyone.
Strange Is the Light by Sarah Maria Griffin: The Turn You Never Took
Sarah Maria Griffin turns a childhood game into cosmic horror in Strange Is the Light, set on Valentia Island. A five-star Irish gothic about friendship, betrayal, and a turn left unfinished for twenty years.
Corpse Creek and Fear Farm by Vincent Ralph: Two Frights, One Cursed Town
Vincent Ralph closes the Bleak Haven series with a matched pair that shares only a cursed town. Corpse Creek is a supernatural grief-horror; Fear Farm is a haunted-attraction slasher. We review both YA horror titles side by side, and both earn four stars for opposite reasons.
Crone by Keith Rosson: Folk Horror Noir That Bites Back
In Crone, Keith Rosson binds a Pacific Northwest crime noir to a folk horror ghost story, following a grieving ex-detective through a corrupt town toward a witch who has been keeping his missing daughter for thirteen years. It is body-horror addiction, biker-gang rot, and generational violence, held together by prose of frightening control
We Are For The Dark by Gretchen McNeil: Religious Folk Horror That Never Once Flinches
Gretchen McNeil’s second adult novel drops a former-FBI priest and a stubborn constable on a boat-less Newfoundland island where the locals crave daily Mass. Our five-star review reads We Are For The Dark as religious folk horror that fuses detective fiction, Catholic dread, and a love story into one merciless question.
I Hope This Email Finds You in Hell by Mackenzie Reed: A Paranormal Romance Where Hell Is a Corporation
Hell is a company in Mackenzie Reed’s adult debut, and the joke mostly works. Our four-star review gets into the corporate-underworld satire, the slow-burn romance, the grief thread, and the worldbuilding that strains under its own reveals.
Still Lost by Sam A. Miller Review: The Sam O’Nella Academy Creator’s Sharp, Sad SF Debut
In Still Lost, Sam A. Miller hands the deadpan of Sam O’Nella Academy a nervous system. His eight linked near-future science fiction stories let a superior alien race fix every human threat, then watch us wreck ourselves anyway. A debut short story collection that runs warmer than Black Mirror and closer to George Saunders.
The Raven by Susan McCauley: A Plague-Year Gothic Horror That Freezes You Slowly
Susan McCauley’s The Raven is a four-star gothic horror novel set in the 1665 plague winter, where a Yorkshire cobbler’s grief, faith and madness braid into folk-horror dread. A patient, disturbing historical horror about the monster who keeps a kind face.