Marshall J. Moore turns classic Gothic sidekicks into the centre of the story in The Henchperson’s Guide to Unionizing. Funny, warm and sharp on labour, loyalty and found family, this cosy horror earns its five stars.
Horror Book Reviews
Ginger Nuts of Horror has been reviewing horror books for 18 years. Here you will find reviews of new horror novels, novellas and short story collections, from small indie presses to the big imprints, across folk horror, gothic, cosmic, psychological horror and everything in between. Every review is free, independent and honest.
The Rouse by China Miéville Review: A Vast, But Slightly Flawed Reveille
China Miéville returns after fourteen years with The Rouse, a vast work of weird fiction that folds grief, war and necromancy into a single twentieth-century epic. It is a formidable, demanding ghost story, and it rewards patience far more than it courts it. Our four-star review sorts the wonder from the sheer weight of the thing.
Dweller in Darkness by Sam Flynn Review: Grimdark Cosmic Horror With Teeth
Sam Flynn closes the Deadlights Duology with Dweller in Darkness, a grimdark cosmic horror novella of empire, complicity and corrupted mythology. Told through daring second-person narration, this is political horror with teeth.
The Memory Tree by Heather Davey, Review: Roots, Rituals and Rural Dread
Heather Davey’s The Memory Tree binds two timelines to one ancient yew in a Dorset village where memory refuses to stay buried. A strong Gothic folk horror built on grief, ritual and creeping unease, even if the final reveal is less sure than the long build.
Laura Mauro Returns: Biographies of Valiant Drunken Tigers
After years away, Laura Mauro returns with Biographies of Valiant Drunken Tigers, a short story and a novella steeped in Japanese folklore. Shadowsick sends a decapitated head into spectral flight, while Lovesongs of the Nonmigratory Birds pulls the Yuki-Onna into a bleak, heartfelt tale of two people coming apart. A comeback well worth the wait.
We Run the Night Review: Kenyan Folklore After Lights Out
Peace Mbengei’s We Run the Night turns a Kenyan boarding school into a sealed arena for folklore, grief and body horror. This five-star YA horror debut makes the night runners frightening, but the adults who refuse to listen are worse.
This Movie Doesn’t End the Way We Want Review: The Screen Bites Back
Hailey Piper takes the cursed film novel and twists it through grief, lost media, queer bonds and cosmic horror. This five-star review looks at why This Movie Doesn’t End the Way We Want makes the act of watching feel unsafe.
Lost Boys by Dean Cade: Queer Horror Meets the Candy Man Murders
Dean Cade’s Lost Boys, book two of the Summer 1973 trilogy from Slashic Horror Press, rebuilds the Houston Mass Murders from the inside out, following a closeted gas-station teenager through the summer the Candy Man came for the Heights. Our five-star review of a queer horror and true-crime hybrid that remembers the boys history reduced to a body count.
The Need by Megan Mostyn-Brown Review: Family Hunger Has Teeth
Megan Mostyn-Brown turns a genetic hunger for human flesh into a viciously funny family horror about inheritance, class and the stories bloodlines tell about themselves. The Need is fast, tender and sharp enough to make its outrageous premise hurt.
J.R. Blanes on Portraits of Decay and Southern Gothic Horror
J.R. Blanes discusses Portraits of Decay, Southern Gothic horror and the New Orleans art community that shaped the novel. He talks voodoo, zombies, creative discovery, setting and the real fear of losing control.




