Sara Hinkley’s The Red Sacrament is historical vampire horror with a sharp political edge, set in a midnight Paris theatre in 1869. My review digs into the slow dread, the gorgeous gothic prose, and the way this queer vampire novel turns the Anne Rice tradition toward class, labour, and the coming Paris Commune.
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KC Grifant’s Women of the Weird West gathers 25 stories and poems that hand the gun to every woman the old westerns left out. This weird western horror anthology from Brigids Gate Press blends frontier folklore, women in horror, and speculative western short stories into one of the sharpest entries in the weird west revival.
Angel R. Sánchez’s possession novel The Devil in I trades grand spectacle for creeping internal dread, an indie horror book that understands how much damage a single misplaced shadow can do.
Out Law is vintage Dresden in a smaller package. Harry owes Marcone a debt, and the repayment involves helping a former criminal go straight. The IRS gets involved. An Aztec demon gets involved. Harry’s patience gets tested. The novella’s real magic is the moral friction: redemption is hard, awkward, and maybe impossible. But Butcher makes you root for it anyway. Lean prose, sharp action, genuine heart. The best Dresden novella yet.
Stephen Jones doesn’t just edit a horror anthology; he curates a conversation between generations of dark fiction writers, and Volume III continues that vital tradition.
What shapes a horror writer? Antony J Stanton credits The Devil Rides Out, a ghostly TV film from 1982, and a healthy obsession with Dracula. He also names Between Two Fires as the most underrated horror novel ever written.
I recently spoke with the author about how Accumulation balances supernatural horror with the horror of daily compromise. We discussed the house itself, based on her own 1750s home, where she wrote the novel.
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