Philip Fracassi’s Gothic follows Tyson Parks, a struggling horror novelist who receives an antique desk that channels an ancient evil through his creative desperation. In our full review at Ginger Nuts of Horror, we examine why this cursed-object novel is one of the sharpest entries in the writer-descending-into-madness subgenre in years, and why Fracassi’s multi-POV structure and pulp-literary sensibility make it something considerably more unsettling than nostalgia.
“Sarafina weaponises hope, turning every sigh of relief into a prelude for something monstrous. Philip Fracassi proves he’s not just a horror writer; he’s a literary force who uses the Civil War as a backdrop for a terrifying meditation on survival, guilt, and the price of peace.”
You have to wonder at what point a suspicious death stops being a byproduct of old … The Autumn Springs Retirement Home Massacre by Philip Fracassi: A ReviewRead more
Fracassi’s Boys overcomes any need for grey-area musing with rapid-fire set-pieces and a willingness to escalate … Boys in the Valley by Philip FracassiRead more
