In this A. Rushby interview, the author of All Her Beautiful Deaths talks Victorian death photography, the ethics of looking at other people’s grief and why her sentient Culpepper House wishes its family well. She also explains why, after the darker Slashed Beauties, she wanted a feminist gothic full of yearning, and names the YA horror novel that gave her nightmares.
A. Rushby follows Slashed Beauties with All Her Beautiful Deaths, a dual-timeline gothic that turns Victorian death photography into a mystery about grief, art and ownership. It is atmospheric, queer and quietly hopeful, held back only by a present-day strand that crowds out its richer 1865 half.
