Jack Mackay follows his debut Gloam with The Haunting of Old Splinter, a middle grade horror that hands the old wishing claw legend to two comic-mad brothers on a Yorkshire moor. It is a Monkey’s Paw retelling with real teeth, and one of the finest children’s horror books of 2026.
Tony Jones returns with his latest YA horror and middle grade horror roundup, covering seven books that blend horror with thriller, dystopian and science fiction. Standouts include Dan Smith’s The Night House Files, perfect for reluctant readers, and twisty YA thrillers from Carlyn Greenwald and Dana Mele.
Jack Rushton is a thirty-nine-year-old vampire who just wants to be left alone with his Radio 4 comedies and his unrequited crush. Instead, he’s been blackmailed by a six-hundred-year-old vampire queen, hunted by a clueless anti-vampire collective, and his teenage sister is developing migraines that might be something far worse. Gayle Ramage’s Jockula is a darkly comic Scottish vampire horror that earns both halves of that descriptor.
Rachel Feder’s The Turn is a contemporary Gothic novella that reimagines the classic governess narrative for the pandemic era. This unsettling literary horror explores the monstrous bond between caregiver and child, the politics of care, and the terror of having your own memory rewritten. A precise, slow-creeping piece of vampire fiction that earns every scare.
Kristopher Woofter’s Archival Anxiety in Documentary and Mockumentary Horror offers a heady intellectual investigation into how films like Ghostwatch, Lake Mungo, and Unfriended capture our cosmic fears of the uncapturable. This academic study traces the genre’s evolution from gothic epistolary novels to screenlife horror, examining our fraught relationship with the cameras that document our lives—and our deaths.
Paula Cappa’s Wolf Magick is a Gothic dark fantasy that blends supernatural romance with shapeshifting horror and Celtic folklore. Marc Sexton has spent his life resisting wolf magick, but when shadow wolves begin hunting him, the beast within can no longer be controlled. This is a book that wants to be felt, not just followed.
Maura McHugh’s House of Wyrd is an occult horror novella that uses the Tarot’s Major Arcana as both structure and sacrament. When art provocateur Aly Wyrd vanishes on the eve of her visionary project’s opening, her estranged daughter Pallas must walk the Illumination Trail—a physical journey up an Irish mountain that mirrors the Fool’s journey through the twenty-two trumps. What unfolds is a mother-daughter reckoning wrapped in the skin of a magical mystery.
Weldon Burge’s Enter Vengeance is a paranormal police procedural that starts as a locked-room mystery and slides into supernatural dread. A guilt-ridden detective and a reluctant psychic chase Tisiphone, a Greek Fury dealing out revenge to those the courts let walk. Lean, unsettling, and built on old-fashioned suspense.
“Gingerly” is supposed to mean cautious and frightened, but it has nothing to do with red hair and everything to do with bad faith. From Erik the Red and Elizabeth I to Shirley Manson and Ginger Wildheart, this is a celebration of the famous redheads who never once tiptoed, with one gloriously snarky paragraph about Mick Hucknall thrown in. Ginger Nuts of Horror goes to bat for its own kind.
C.N. Vair’s Fawn is one of 2026’s most talked-about folk horror debuts, built around Tess Wynne, an Appalachian witch who rescues a red-mouthed, full-toothed fawn with unnatural appetites, and must decide what she is willing to become to protect what is hers. If that book has already got its teeth into you, this reading list was made for you. We’ve put together ten books that share Fawn’s DNA — from Emilia Hart’s multi-century witch saga Weyward to Cassandra Khaw’s blood-soaked fairy tale The Salt Grows Heavy to Genevieve Gornichec’s Norse folk horror The Witch’s Heart — each with a full mini-review. This is the definitive reading list for fans of folk horror, powerful witches, and women who bite back.
C.N. Vair’s debut folk horror novel The Devil Knows Her Name follows Tess Wynne, a century-old witch bound to her Appalachian land by a devil’s bargain, running a wildlife sanctuary against every threat the community and the devil himself can bring. Precise, slow-burning, and built on a genuine ecological and feminist argument, this is Appalachian horror at its most assured. Full review at Ginger Nuts of Horror.
Jeff Strand’s Fun Times at the Bloodbath is horror comedy with teeth, a video game horror novel about a playtest no one can quit. The Bram Stoker Award winning author weaponises the attention economy and folds extreme horror into his sharpest comic engine yet. Here is why it gets under your skin.
Sara Hinkley’s The Red Sacrament is historical vampire horror with a sharp political edge, set in a midnight Paris theatre in 1869. My review digs into the slow dread, the gorgeous gothic prose, and the way this queer vampire novel turns the Anne Rice tradition toward class, labour, and the coming Paris Commune.
Leah Rowan’s debut Marion reimagines Psycho with one savage swap: the woman in the shower fights back and kills Norm. My review digs into this feminist horror standout, from its dark humor and dual-POV craft to its themes of female rage, sisterhood, and surviving domestic abuse.
H.M. Wolfe’s Daggermouth is being sold as dark dystopian romance, but it reads like social horror with the safety off. In New Found Haven, love outside your ring is a death sentence, feminine rage is a survival skill, and a forced marriage becomes a cage. Here is why this enemies-to-lovers opener to The Heart duology belongs on any dark fiction shelf.
