King of the Gimmick House on Haunted Hill and The Tingler: William Castle and the...
WHATS ON SHUDDER
On Not Adapting Junji Ito. Filming the unfilmable: Uzumaki, Ringu and the power of ‘and...
Are Influencers The New Horny Teens? Temptation, work, Final Girls and the erotics of disavowal. SUPERHOST...
The Problem of Franklin: The Texas Chainsaw Massacre (Tobe Hooper, 1974) and disability in horror...
Helping You Feel Better About The Human Centipede Torture porn, storytelling and fluffy animal pictures:...
The White Reindeer: A tale whispered only to you. Introduction by Jim Mcleod As winter...
Introduction In her incisive essay, Kit Whitfield explores the profound implications of William Friedkin’s documentary,...
The Advent Calendar, directed by Patrick Ridremont In which we ask what a gift is...
The Devil’s Bath, Folk Horror Part 2: In Which We Restore Our Faith The Devil’s...
Lord of Misrule, folk horror, and why we’re still arguing about The Wicker Man Please...
Good Madam (Mlungu Wam), 2021, directed by Jenna Cato Bass Released as a Shudder Original...
What’s On Shudder? review: Messiah of Evil, 1973, by Gloria Katz and Willard Hyuck Want...
Stopmotion, Mad God and the fearsome power of animation Stopmotion, 2023, directed by Robert Morgan...
Late Night With The Devil – What’s on ShudderDirected by Colin and Cameron Cairnes, 2023...
Deadstream, 2022, directed by Joseph Winter and Vanessa Winter Sometimes you have to give people...