Rhiannon Grist’s debut novel Home Sick (Solaris, 2026) is a slow-burn psychological horror rooted in Scottish folklore and the particular dread of the domestic uncanny. Following Tamsin as her Scottish countryside fresh start becomes something far less clean, Grist builds claustrophobic menace from shared walls, unreliable narration, and a folkloric framework that deepens rather than resolves the horror. Read the full Ginger Nuts of Horror review of this essential 2026 folk horror debut.
Dan Coxon’s Come Sing for the Harrowing, reissued by CLASH Books in April 2026, is eighteen stories of folk horror transported into the texture of contemporary British life. The uncanny shows up in a Cheddar Gorge cave system, a crumbling urban estate, a Brixton supermarket, a medieval tourist attraction that is just a little too authentic. Coxon, a World Fantasy Award-winning editor and twice British Fantasy Award-winning author, brings formal invention and restrained literary prose to a subgenre he clearly loves enough to pick a fight with. The result is the most interesting folk horror collection of 2026. Full review inside.
Camilla Bruce’s The Temptation of Charlotte North is a dark gothic fantasy that understands atmosphere is not decoration but a character with its own pulse. Set on a remote island in 1910, the novel follows Charlotte North, a rebellious young woman who discovers that a violent spirit released from an ancient tower might be the leverage she needs to escape a predetermined life. With three carefully woven points of view and prose that balances elegance with restraint, Bruce has written her most confident, unnerving novel yet.
