What We Don’t Talk About When We Make Films About Trans Killers Psycho, A Woman...
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Beauty Horror: the gore-geous fairy tale micro-genre The Substance (Coralie Fargeat, 2024) and The Ugly...
Why is The Rule of Jenny Pen so divisive? Want to find an interesting watch...
Yes, These ARE Your Mother’s Fairies Fréwaka and the trauma of a nation. Content warnings:...
King of the Gimmick House on Haunted Hill and The Tingler: William Castle and the...
On Not Adapting Junji Ito. Filming the unfilmable: Uzumaki, Ringu and the power of ‘and...
Are Influencers The New Horny Teens? Temptation, work, Final Girls and the erotics of disavowal. SUPERHOST...
The Problem of Franklin: The Texas Chainsaw Massacre (Tobe Hooper, 1974) and disability in horror...
Helping You Feel Better About The Human Centipede Torture porn, storytelling and fluffy animal pictures:...
The White Reindeer: A tale whispered only to you. Introduction by Jim Mcleod As winter...
Introduction In her incisive essay, Kit Whitfield explores the profound implications of William Friedkin’s documentary,...
The Advent Calendar, directed by Patrick Ridremont In which we ask what a gift is...
The Devil’s Bath, Folk Horror Part 2: In Which We Restore Our Faith The Devil’s...
Lord of Misrule, folk horror, and why we’re still arguing about The Wicker Man Please...
Good Madam (Mlungu Wam), 2021, directed by Jenna Cato Bass Released as a Shudder Original...