In a Violent Nature
In a Violent Nature

In a Violent Nature: A Meta-Slasher for Horror Enthusiasts

In a Violent Nature, A Horror Movie Review by Hope Madden

In_a_Violent_Nature_(2024)_poster

When a filmmaker upends slasher tropes, the result often takes a comedic turn. Scream benefitted simultaneously from the audience’s effortless acceptance of genre staples and Wes Craven’s wicked sense of humor. Likewise, the absolute treasure of a meta-slasher Behind the Mask: The Rise of Leslie Vernon zeroes in on slasher cliches to generate fear and horror, laughter and empathy.

Chris Nash is not doing that, with In a Violent Nature.

After years making horror shorts, Nash writes and directs his first feature. Though In a Violent Nature builds its unstated plot on your knowledge of slashers, the filmmaker is not in it for laughs.

In a Violent Nature is unapologetically a slasher.

A handful of young adults gathers in a secluded national park to camp. They are vaguely horny, annoying, drunk. One mourns some kind of recent tragedy. The fact that we will never get to know these characters by name seems fitting, since slasher characters are one-dimensional by nature. Why do we return to Crystal Lake year after year, sequel after sequel? It’s not for the campers.

We hear their inane chatter, their campfire stories, their bickering and flirtations, but just barely because we’re at a safe distance. We’re far enough from the fire that they can’t see us. In fact, it isn’t until the third act that we finally find ourselves more than a few feet away from the unstoppable killing machine whose point of view defines our story.

And even then, at the end, how far away could he be?

What Nash does with In a Violent Nature, his retake on the slasher—utterly minimalistic except for the carnage, which is generally inspire. Is both a deconstruction and loving ode. This movie loves slashers. It does not mock them, doesn’t wink and nod at what we accept when we watch them. Nor does it add any depth to them.

People watch slashers to see characters you don’t care about meet inventive, bloody death in a beautiful landscape. We watch slashers because death is comeuppance, it is coming no matter what. And it’s coming in the form of a hulking, horrifying mass with a tragic backstory.

The practical fx of In a Violent Nature are glorious. The storytelling is clever in that the story tells you nothing, but Nash’s thoughtful direction is enough. If you don’t like slashers, you won’t like In a Violent Nature. If you sincerely do, though, this film is not to be missed.

In a Violent Nature


When a group of teens takes a locket from a collapsed fire tower in the woods, they unwittingly resurrect the rotting corpse of Johnny. A vengeful spirit spurred on by a horrific 60-year old crime. The undead killer soon embarks on a bloody rampage to retrieve the stolen locket, methodically slaughtering anyone who gets in his way.

Release date: 12 July 2024 (UK)

Director: Chris Nash

Distributed by: ShudderIFC Films

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Author

  • hope-madden

    ope Madden, a graduate of The Ohio State University, is an author and filmmaker.In addition to 12 years at the independent weekly newspaper The Other Paper, Hope has written for Columbus Monthly Magazine, The Ohio State University Alumni Magazine, and is a published poet. Her first novel, Roost, is out now, as is the anthology Incubate, which includes her short story “Aggrieved.” She recently wrote and directed Obstacle Corpse, the first feature film from MaddWolf Productions! She also writes for Columbus Underground and the UK Film Review.In Central Ohio, you can catch Hope on TV every Friday morning on ABC6/Fox28’s Good Day Columbus.

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