Tatiana Schlote-Bonne talks cave horror for her new book What Feeds Below. She built the Void’s monsters from cordyceps and deep sea life, with roots in Made in Abyss. She also traces the path from Such Lovely Skin and The Mean Ones to a close, risky friendship built to survive a pit that wants to eat it.
Peace Mbengei talks through her debut YA horror novel We Run the Night, where Luo night runners turn grief into body horror inside a Kenyan boarding school. She discusses the strangler fig at the story’s centre, the institutional cover up that follows, and why forgiveness, not revenge, sets her heroine free.
Scott Hawkins returns with Blacktail, and in this interview for Ginger Nuts of Horror he explains why he still calls it dark fantasy rather than horror, alongside The Library at Mount Char. He talks through the craft lessons of three unpublished novels, the mechanics of building a villain worth hating, and what he wants a revenge story to leave behind.
Justin Dec talks Sentry, family, fear and the pull of the unknown. Justin Dec | Interview … Justin Dec on Sentry: A Horror Interview About Family and FearRead more
Alex Hunter sits down with Ginger Nuts of Horror to talk about The House That Screamed, his meta horror take on the haunted house novel. He explains why minds now frighten him more than monsters, how Peter Straub gave him permission to break the rules, and why he trusts readers to decide what the real horror is.
Rachel Harrison sits down to talk Kiss Slay Replay, the wedding weekend time loop horror that follows Play Nice and Such Sharp Teeth. She explains why she never set out to write a slasher, what the loop is really processing, and how a Blink-182 song and a Virgo’s fear of losing control fed the book. It is a horror comedy interview about grief, choreography, and stubborn hope.
A dead man, a demon, and the happily ever after that damns everyone else. Clay McLeod … Clay McLeod Chapman on Devil Inside and the Art of the HorrormanceRead more
Kelly Creagh built a career on gothic dread, borrowing scaffolding from Poe, Leroux and Brontë. A Date with Death drops the dead authors entirely and writes Death straight, as a foul-mouthed skeleton falling for a children’s librarian. In this Kelly Creagh interview, she unpicks the craft of the paranormal romcom, the Poe fingerprints hidden in the jokes, and where the monster romance boom is actually heading.
