The Rule of Jenny Pen: A Gripping Thriller

The Rule of Jenny Pen

Arrogant Judge Stefan Mortensen (Rush) suffers a near-fatal stroke, leaving him partially paralyzed and confined to a retirement home. Resistant to the staff and distant from his friendly roommate, Mortensen soon clashes with seemingly gentle resident Dave Crealy (Lithgow) who secretly terrorizes the home with a sadistic game called The Rule of Jenny Pen while wielding his dementia doll as an instrument of cruelty. What begins as childish torment quickly escalates into far more sinister and disturbing incidents. When Mortensen’s pleas to the staff go unanswered, he takes it upon himself to put an end to Crealy’s reign of terror.

The Rule of Jenny Pen

A Horror Movie Review by Hope Madden

In 2021, Kiwi filmmaker James Ashcroft made his feature debut with the lean and unforgiving thriller Coming Home in the Dark. While his follow up discards the taut terror of a road picture in favor of lunacy and a hand puppet, The Rule of Jenny Pen mines similar tensions. Vulnerability, institutional ignorance, helplessness, bullying The Rule of Jenny Pen  comes at it from a different angle, but the damage done bears a tragic resemblance.

The great Geoffrey Rush is Judge Stefan Mortensen, a self-righteous ass who finds himself institutionalized after a stroke. But as soon as he’s better, he’ll be out of there. In the meantime, he will berate and belittle staff and patients alike—even his kind roommate, Sonny (Nathaniel Lees).

But Dave Creely (John Lithgow, never creepier) doesn’t think the judge is going anywhere. He doesn’t think he’s such a much, if you want to know the truth, and he looks forward to pressing every vulnerability the judge has, terrorizing him until he breaks him. Just as Dave has broken every other patient at the home—with the help of his bald little hand puppet, Jenny Pen.

Back in the Sixties, hagsploitation (or psycho-biddie films) featured middle aged women with likely mental health concerns that led to various kinds of horror: What Ever Happened to Baby Jane?; Hush, Hush Sweet Charlotte; Strait-Jacket. The women’s age was what made them suspect, the films reveling in the grotesquerie of their images.

Lately, though, filmmakers are realizing that the more powerful horror mines our own fears by empathizing with the aged characters, forcing us to see through their eyes. Relic, Bingo Hell, The Taking of Deborah Logan, The Demon Disorder and Bubba Ho-Tep all focus on the inevitable and terrifying vulnerabilities of aging.

The Rule of Jenny Pen fits neatly into this real estate. Ashcroft’s direction situates the sadistic within the well-meaning. Hospital staff, visiting musicians, family members—all genuinely hope to make the world better for these patients. But this is a world Dave knows well, and he exploits every opportunity to wield his and Jenny’s sadistic power.

Lithgow’s a maniac, making the most of his substantial physical presence among the fragile patients and delivering the most unseemly moments with relish. And Rush is his absolute equal. The veteran broadcasts pomposity with rigid authenticity that only lends power to the judge’s most helpless moments.

ABOUT VERTIGO RELEASING

Vertigo Releasing is committed to discovering and championing the most important part of film: the talent. Our releases have grossed over $100 million at the box office. Recent releases include Thailand’s record-setting, Academy Award-shortlisted heartwarmer HOW TO MAKE MILLIONS BEFORE GRANDMA DIES; Alice Lowe’s anti-rom-com TIMESTALKER starring Alice (PREVENGE), Nick Frost (HOT FUZZ), and Jacob Anderson (GAME OF THRONES); Luna Carmoon’s HOARD, which was recently nominated for 6 BIFAs; and electrifying horror thriller LATE NIGHT WITH DEVIL, which made a ‘killing’ at the UK & US box office, with press calling it ‘this generation’s EXORCIST’

.Upcoming releases include family adventure THE SLOTH LANE, starring comedian Leslie Jones; SANTOSH, the political thriller meets crime procedural, which won 2 BIFAs and is longlisted for the 2025 BAFTA Film Awards; Lorcan Finnegan’s latest hit THE SURFER, which premiered this year in Cannes and the BFI London Film Festival, and stars Nicolas Cage in the titular role; and LAST SWIM, starring newcomer Deba Hekmat as a British-Iranian teen exploring London with her closest friends while secretly grappling with a life-changing decision.

ABOUT IFC FILMS

IFC Films is a leading U.S. distributor of independent cinema that is operated by AMC Networks Inc. The company has been at the forefront of championing boundary-pushing, thought-provoking films for 25 years, with a commitment to delivering high-quality, filmmaker-driven cinema across all genres. IFC Films’ slate reaches a national audience through theatrical releases, cable Video On Demand (VOD), and digital platforms. Some of the company’s successes over the years include Andrew Haigh’s 45 YEARS, Jennifer Kent’s

THE BABADOOK, Matthew Johnson’s BLACKBERRY, Richard Linklater’s BOYHOOD, Armando Iannucci’s THE DEATH OF STALIN, Noah Baumbach’s FRANCES HA, David France’s HOW TO SURVIVE A PLAGUE, Chris Nash’s IN A VIOLENT NATURE, Colin and Cameron Cairnes’ LATE NIGHT WITH THE DEVIL, Stephen Frears’ THE LOST KING, Adam Elliot’s MEMOIR OF A SNAIL, Olivier Assayas’ PERSONAL SHOPPER, Tran Anh Hung’s THE TASTE OF THINGS, Michael Winterbottom’s THE TRIP, and Chloe Okuno’s WATCHER.

ABOUT SHUDDER

AMC Networks’ Shudder stands as the leading curatorial voice and cultural destination for genre entertainment, delivering an unparalleled selection of horror, thrillers, and the supernatural.

With an ever-expanding library of films, TV series, and exclusive Originals, Shudder is accessible across most streaming devices in the US, Canada, the UK, Ireland, Australia, and New Zealand. Shudder releases approximately thirty films per year, and has redefined genre streaming with a slate of groundbreaking and critically acclaimed titles, including Rob Savage’s HOST, Jayro Bustamante’s Golden Globe-nominated LA LLORONA, Phil Tippett’s MAD GOD, Coralie Fargeat’s REVENGE, Kyle Edward Ball’s SKINAMARINK, Christian Tafdrup’s SPEAK NO EVIL, Chloe Okuno’s WATCHER, Demián Rugna’s WHEN EVIL LURKS.

And the latest installments in the V/H/S franchise. Shudder also boasts fan-favorite series such as the two-time Emmy Award-nominated THE BOULET BROTHERS’ DRAGULA, Mark Duplass’ THE CREEP TAPES, Greg Nicotero’s CREEPSHOW, and THE LAST DRIVE-IN WITH JOE BOB BRIGGS. Notable recent releases include Veronika Franz and Severin Fiala’s THE DEVIL’S BATH, Chris Nash’s IN A VIOLENT NATURE, Sébastien Vaniček’s INFESTED, Colin and Cameron Cairnes’ LATE NIGHT WITH THE DEVIL, Damian McCarthy’s ODDITY, and Robert Morgan’s STOPMOTION.

Check it out

If you’re a fan of spine-chilling tales and hair-raising suspense, then you won’t want to miss the horror features page on The Ginger Nuts of Horror Review Website. This is the ultimate destination for horror enthusiasts seeking in-depth analysis, thrilling reviews, and exclusive interviews with some of the best minds in the genre. From independent films to mainstream blockbusters, the site covers a broad spectrum of horror media, ensuring that you’re always in the loop about the latest and greatest.

The passionate team behind The Ginger Nuts of Horror delivers thoughtful critiques and recommendations that delve into the nuances of storytelling, character development, and atmospheric tension. Whether you’re looking for hidden gems to stream on a dark and stormy night or want to explore the work of up-and-coming horror filmmakers, this page is packed with content that will ignite your imagination and keep you on the edge of your seat.

So grab your favorite horror-themed snacks, settle into a cozy spot, and immerse yourself in the chilling world of horror literature and film. Head over to The Ginger Nuts of Horror and embark on a journey through the eerie and the extraordinary—it’s an adventure you won’t soon forget!