Philip A. Suggars charts the four phase decline of horror franchise monsters, from the pure terror of Alien: Earth and Michael Myers to the merch shelf and the leash. Drawing on Freud, Robin Wood, and Mark Fisher, he asks why The Thing and It Follows stay frightening while everything else gets a Funko Pop. The domestication of horror monsters, it turns out, is exactly what the culture industry does best.
Philip A. Suggars
Lost horrors: how the eerie telly of the 1970s birthed liminal dread
Lost horrors: how the eerie telly of the 1970s birthed liminal dread The empty classroom after … Lost horrors: how the eerie telly of the 1970s birthed liminal dreadRead more
The Lighthouse at the End of the World: Philip A. Suggars on Urban Fantasy, Social Mobility, and Inherited Trauma
“A working‑class kid, a London built from broken skyscrapers, and a chaos magic system that bends … The Lighthouse at the End of the World: Philip A. Suggars on Urban Fantasy, Social Mobility, and Inherited TraumaRead more