825 Forest Road
Introduction
Stephen Cognetti has made a name for himself with the wildly popular Hell House LLC franchise. Now, stepping away from the found-footage style that defined his earlier work, Cognetti presents 825 Forest Road, a haunted house film that aims to capture the eerie charm of Ashland Falls, New York. While the film offers glimpses of the filmmaker’s signature flair, it also grapples with storytelling flaws and a cast that struggles to engage. Let’s dive into the details and explore whether this new venture lives up to the expectations set by its predecessor.
Chuck Wilson hopes to start a new life after a family tragedy when he moves to the town of Ashland Falls with his wife Maria and little sister Elizabeth, but he quickly discovers that the town has a dark secret.

Director: Stephen Cognetti
Producers: Joe Bandelli, Dana Guerin, Cindi Rice
A Horror Movie Review by Hope Madden
825 Forest Road: A New Horror Experience
I wonder whether Ashland Falls is a far drive from Abaddon, New York. Looks like a pretty area.
Hell House LLC writer/director Stephen Cognetti launched a fun and mainly impressive horror franchise from the dusty soil of the mythical Abaddon, New York, reinvigorating the found footage genre and reminding those who’d forgotten that clowns are terrifying.
Cognetti’s latest, 825 Forest Road, is the filmmaker’s first feature outside that franchise. Though he leans on some of the style that made the Hell House films memorable, this movie is not found footage. In fact, it’s a pretty straightforward haunted house picture.
Chuck (Joe Falcone) and Maria (Elizabeth Vermilyea) buy a roomy old home in Ashland Falls, to be near the little college where Chuck’s younger sister Isabelle (Kathryn Miller) will attend. Couldn’t Isabelle just move into the dorms like every other college freshman?
Why do that when they could all uproot themselves and buy a haunted house?

The backstory—family tragedy, estranged siblings trying to rebuild something—is the first of the film’s many weaknesses. The fact that the incoming freshman looks like she’s older than her guardians doesn’t help set the mood, either.
But it’s not just Chuck’s new house that’s haunted. It’s the whole damn town. That can be a ripe premise, too. Just not today.
825 Forest Road delivers a little bit of the style Cognetti’s become known for, and it’s refreshing to watch a modern horror film and know that if you don’t pay attention, you may miss an inspired bit of haunting. But in this case, that’s not enough to merit your time.
Though Vermilyea convinces, the balance of the cast feels more like they’re doing a read through than performing. Chemistry among the actors is nonexistent, which exacerbates the problem with the unfelt backstory.
Every reason to do something is a contrived excuse rather than natural choice, and every reason not to do something is even less earned. 825 Forest Road plays like a rehearsal that could have turned into something fun with a couple more rounds of script revisions.
Further Reading
Horror movie fans looking to deepen their appreciation for the genre should definitely check out the Horror Movie Review section of Ginger Nuts of Horror. This platform is a treasure trove of insights, critiques, and discussions that resonate with both casual viewers and dedicated aficionados alike.
Firstly, the reviews are penned by passionate writers who understand the intricacies of horror filmmaking. They delve deep into the elements that make each film unique, from unsettling visuals to compelling sound design, offering a comprehensive analysis that goes beyond superficial impressions. Such in-depth reviews can enhance viewers’ understanding and appreciation of the genre, revealing layers of meaning and intention that may go unnoticed during a first watch.
Lastly, with its focus on both mainstream and indie films, the Horror Movie Review section is an excellent resource to stay updated on upcoming releases and trends in the horror landscape. For any horror buff, exploring The Ginger Nuts of Horror Review Website is an essential step toward a deeper connection with the genre.

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