Booger, A Horror Movie Review by Hope Madden
Booger is a 2023 American body horror comedy film written and directed by Mary Dauterman in her feature directorial debut. It stars Grace Glowicki, Garrick Bernard, Heather Matarazzo, and Marcia DeBonis.
Initial release: 2023
Distributed by: MPI Media Group
There’s a particular feeling that often accompanies grief.
It’s the feeling of being unmoored, of somehow not really knowing who you are without the person you’ve lost. Writer/director Mary Dauterman details that feeling as well as the mixture of depression, numbness, confusion, and a desire to escape your own reality with her weirdly gross feature debut, Booger.
That’s the name of a cat. Izzy (Sofia Dobrushin) let the mangy stray in through the window one day, much to the dismay of best friend and roommate Anna (Grace Glowicki). It was filthy. Nasty. But Booger grew on Anna, and then, the same day Izzy dies in a bike accident, Anna realizes Booger is missing.
Her aimless quest to find her dead friend’s missing cat and her own slow transformation into a mangy, filthy, nasty beast give Anna the opportunity to avoid dealing with Izzy’s death.
Dauterman gets points for puncturing the nobility of grief and tapping into its necessary selfishness and cognitive dysfunction. Additional points for just being as gross as possible about it.
Glowicki’s awkward, strangely relatable performance helps Dauterman create a tone that’s simultaneously fantastical and banal. Anna’s own loosening grip on reality is balanced by a wonderfully honest turn from Marcia DeBonis (Sometimes I Think About Dying) as Izzy’s mom. Heather Matarazzo delivers a fine cameo in a role, like several in the film, that offset the unpleasantness with broad but dark humor.
The body horror elements are never done to terrify, but they may very well make you gag.
The dramedy doesn’t dig terribly deep, and Dauterman does not complicate the plot. We’re along for the ride as Anna lets her life crumble around her while she imagines she’s turning into a feral cat so she can avoid facing her friend’s death.
The character study pretty studiously avoids letting us get to know Anna’s character. She’s lost who she is and can’t seem to move on. Still, a committed, wryly comical turn from Glowicki and Dauterman’s insightful if unexpected direction ensure a memorable and strangely affecting film.
