Kailee Pedersen’s The Minimalist is a gruelling, unflinching psychological horror novel about a composer’s descent into madness. Published by St. Martin’s Press, it follows Mia Voss as she returns to her mentor’s Santa Fe mansion to complete his unfinished masterpiece, only to find the manuscript exerting a disturbing hold over her. Drawing from Pedersen’s own experiences as an adoptee and classical musician, this is body horror at its most intelligent—a meditation on artistic obsession, adoption trauma, and the sacrifices we make in pursuit of creative perfection.
body horror
Meat and Concrete: Soma, Body Horror and Urban Decay
The rotten city and the unreliable body are the same complaint, and very few novels admit it. Ahead of Lee Glenwright’s SOMA, a feature mapping British estate horror from Ramsey Campbell and Joel Lane to Gary McMahon and Alison Rumfitt, the body horror line from Clive Barker to Agustina Bazterrica, and the overlap almost nobody works.
Party of a Lifetime by Henry Corrigan: A Queer Body Horror Novel That Puts the Real Monster in the Driveway
Henry Corrigan’s Party of a Lifetime strands four queer friends in Monotony, a 1950s hell town that reshapes itself around their nightmares and slowly reshapes them too. This is body horror written with a mechanic’s patience, with a narcissistic mother at the centre of it, and it is the best thing Corrigan has written.
“He Just Wanted to Be Seen”: Luke Dumas on Cannibal Cravings, the Ozempic Era, and Writing Fat Shame as Body Horror
Luke Dumas unpacks the fat shame and cannibal cravings driving his Ozempic-era body horror Nothing Tastes as Good. From stolen paperbacks to Mounjaro prescriptions, this interview confronts the hunger beneath the weight-loss drug phenomenon and the mask we hand to strangers.