Phil Keeling’s debut horror short story collection moves from the fall of Babel to a low country monster hunt and a wounded angel in a root cellar. Our Be Not Afraid review finds religious horror with teeth, dark humour and Southern weird fiction at its sharpest. This is a self-published horror book that earns every one of its five stars.
Hervé Commère’s YA thriller comes as twenty-one sealed letters, one to tear open each day, as a young man in London races to save the sister who vanished ten years ago. This 21 Days of Fear review looks at how the advent calendar format turns waiting itself into fear. A five star epistolary thriller built for December.
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Jennifer Thorne’s werewolf horror novel sends a grieving carer into an empty country mansion for a weekend of trespass, and the owners come home hungry. My Newbourne Park review looks at the siege, the seduction that follows, and why this class horror novel is the best thing the Diavola author has written.
Yuvashri Harish’s YA horror novel sends a dutiful Tamil babysitter into a Halloween night overrun by classic monsters and a vengeful dead author. This Kill Your Darlings review finds a YA horror debut for 2026 with sharp things to say about racism and people-pleasing. The middle drags, but the bite is real.
In this Tracy Fahey interview, the Irish author talks about Queens of the Crone Age, where the Cailleach listens to women’s stories, and Down We Go Together, her first book of crime and noir stories. She explains why she rewrote an ending to take the answer away and where her female body horror comes from. She also says why contemporary horror film keeps flattening the Hag into a villain, and what Irish folk horror can do instead.
