Susan McCauley talks about her forthcoming gothic horror novel The Raven, the York ghost story that inspired it, and why she keeps returning to themes of loss and madness. She also discusses writing from multiple points of view and the role of atmosphere in horror fiction.
Jonathan Wood’s Washed Up on Dark Shores literalises greed as a god called Mammon and lets it eat the world one savage sentence at a time. Our five-star review digs into the corporate cosmic horror, the ferocious prose style, and how it connects to his work as Jon Hollins and J.P. Oakes.
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Fright Club ranks the best Texas horror movies, skipping the obvious chainsaw classic to make room for everything else. From Bubba Ho-Tep and Frailty to Mia Goth’s turns in X and Pearl, these five Texas horror films show how much the state has given the genre.
Jo Salazar’s If We Survive the Night started out as The Dead Weight, released by the author herself, and arrives from Sourcebooks Fire in 2026. In this interview, the YA zombie writer talks about building a protagonist you follow but never trust, writing institutional damage without a diagnosis, and why Quinn will never get the redemption arc readers keep waiting for.
Jonathan Wood discusses his novella Washed Up on Dark Shores, the horror of extreme wealth, and why naming the monster is the first step to fighting it.
