A. Rushby follows Slashed Beauties with All Her Beautiful Deaths, a dual-timeline gothic that turns Victorian death photography into a mystery about grief, art and ownership. It is atmospheric, queer and quietly hopeful, held back only by a present-day strand that crowds out its richer 1865 half.
Tananarive Due’s Mazywood turns a child’s wish in 1926 Old Hollywood into a monster that waits fifty years for the family to come home. This creature feature and historical saga is her first novel since the multi-award-winning The Reformatory, and it confirms Gracetown as one of horror’s great haunted maps. A big, ambitious, occasionally overstuffed four-star return.
Scott Hawkins returns with Blacktail, and in this interview for Ginger Nuts of Horror he explains why he still calls it dark fantasy rather than horror, alongside The Library at Mount Char. He talks through the craft lessons of three unpublished novels, the mechanics of building a villain worth hating, and what he wants a revenge story to leave behind.
The House Always Wins In Horror, Until It Doesn’t Horror has been telling gambling stories longer … The House Always Wins In Horror, Until It Doesn’tRead more
Iseult Murphy turns a widow’s grief into a door that opens both ways. Irish author Iseult … Gothic Horror Cover Reveal: Iseult Murphy’s Suffer Their GoingRead more
Justin Dec talks Sentry, family, fear and the pull of the unknown. Justin Dec | Interview … Justin Dec on Sentry: A Horror Interview About Family and FearRead more
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