Zoe Kavanagh flings Niamh Hogan’s Taryn Barker back to 1987, where a summer camp slasher and a cult run by Lisa Wilcox stand between her and the Necrox. This action horror sequel skips the po-faced polish and goes straight for practical gore, real stunts and big daft fun. Here is why the indie horror slate has a new favourite.
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A ranking of seven fictional vampires I could kill without breaking a sweat, from Nosferatu to Count Duckula. Yes, David from The Lost Boys makes the list, and yes, I have strong opinions about his hair. Proof that most vampire movies are style over substance.
Juliet Blackwell’s The Séance Garden is a paranormal mystery that builds its horror through accumulated unease rather than cheap shocks. Set in Monterey and centred on a skeptical historian of the occult, this Gothic-tinged supernatural suspense novel asks what happens when the past refuses to stay buried.
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Horror movies about temptation are practically the whole genre in miniature, so picking five meant leaving Nosferatu and The Lure bleeding on the cutting room floor. Our countdown runs from Amat Escalante’s The Untamed to Julia Ducournau’s Raw, taking in Jennifer’s Body, Ken Russell at his most unhinged, and Al Pacino doing the devil in a power suit. Five films, five appetites, no survivors.
My review of Splasher by Billie Host, the 2006-set supernatural slasher where a haunted university pool picks off a swim team one accident at a time. Queer horror, Y2K nostalgia and a genuine ghost story grief engine make this a slasher novel that remembers to feel.
Bram Stoker winner Gwendolyn Kiste delivers a haunting queer horror retelling of The Great Gatsby in In These Gilded, Ghostly Hearts, following Daisy Buchanan’s daughter as she confronts her mother’s ghost and the still-grasping fingers of Jay Gatsby. This sapphic Gothic novella explores grief, legacy, and the hunger of a house that feeds on unfulfilled love.
The Undiscovered Country delivers horror noir thrills as Adam Paradise, Frankenstein’s creature turned PI, battles Ku Klux Klan necromancy in 1930s New Orleans. Teel James Glenn crafts a supernatural thriller that examines humanity’s capacity for organised hatred while celebrating compassion as the ultimate act of heroism.
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Adrian Tchaikovsky has been writing cosmic horror and folk horror under a science fiction badge for years, and most horror readers missed it. His gothic horror novella Preaching to the Choir, out in August from Solaris, is the moment that excuse runs out. Here is why the Terrible Worlds: Transformations author belongs on your shelf.
Horror author headshots have quietly become their own genre, complete with a fixed set of clichés: the bare brick wall, the all-black wardrobe, the half-smile that hints at violence. This field guide roasts the lot, explains how Garth Marenghi turned the brooding-author pose into a punchline, then asks why the horror publishing boom has turned every author photo into a marketing asset. With a salute to Chuck Tingle for solving the problem with a pink bag.
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