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Adam McOmber sends a disgraced Manchester tutor to a shifting Cornish manor in this queer vampire novel, and the result is a tender, frightening gothic. Our review weighs the vampire romance, the haunted house and the red maze of the final act. A Lethe Press horror release that earns four and a half stars.
Black Spot Books has opened submissions for The Year’s Best from Women in Horror, Volume 1, a reprint anthology edited by Lindy Ryan and Stephanie M. Wytovich with an introduction by Lisa Morton. We look at what the call asks for, why an annual archive of women horror writers matters, and how to submit work first published in 2026.
Daphne Press opens 2027 with seven new books, from Claire Schultz’s sapphic Bluebeard retelling Even Your Bones Would Do to Barbara Truelove’s zombie satire The Secret Lives of Zombie Wives. We look at the full list, from Susan Dennard’s island ghost mystery to Allison Saft’s Heartsgrove, and the fear that runs through it.
Charlotte Bond tests four shark movie reviews against one simple question: does the shark behave like a shark? Thrash is fine with low expectations, 47 Meters Down is tense and smart, and Shark Night is a lake house of crassness. Her Under Paris review crowns the French thriller as the pick of the shark horror films on streaming.
Peter Stylianou’s The Nice Ones turns the body snatcher story warm, as a weekend in the country goes wrong when everyone but Kate becomes unnervingly kind. This review of the psychological sci-fi horror finds a clever British indie film with a terrific Joelle Rae, held back only by an ending that stops too soon.
Nick Medina talks Savage Lake, his fourth novel, where a Tribal roadblock strands a mother and son at a cabin on Torchlight Lake. He explains why he left the Takoda books behind, how he took cryptid horror back to its roots in Native belief, and what readers wrongly expect from Indigenous horror.
