Michael C. Williams has a theory about The Blair Witch Project: every found footage film since 1999 gets judged against it, the way every shark movie gets judged against Jaws. With a reunion tour underway and Lionsgate’s 2027 reboot from Dylan Clark on the way, we look at who escaped that shadow, who got crushed by it, and what the new film needs to survive.
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Hailey Piper sits down with Ginger Nuts of Horror to discuss This Movie Doesn’t End the Way We Want, her second novel steeped in Robert W. Chambers’ King in Yellow. She talks through the Toad Man, the cursed film at its centre, and why she calls horror the most honest genre. Titan Books publishes the cosmic horror on 15 September 2026.
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Jessica Hamilton’s folk horror debut sends a grieving mother into a haunted wood that offers her family a second life, at a price only she has to pay. A true crime podcast framing device and a bold menopause-as-horror metaphor make this one of the more inventive femgore entries this year, even when it over-explains its own best idea.
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Jessica Hamilton gives Ginger Nuts of Horror a horror interview on The Woods, her first novel billed outright as horror after two books sold as thrillers. She digs into the femgore wave, her admiration for Marcus Kliewer, and the menopause motif running beneath the supernatural one in this domestic horror novel.
China Miéville returns after fourteen years with The Rouse, a vast work of weird fiction that folds grief, war and necromancy into a single twentieth-century epic. It is a formidable, demanding ghost story, and it rewards patience far more than it courts it. Our four-star review sorts the wonder from the sheer weight of the thing.
