Paul Finch’s In the Forest of the Night gathers four older stories and one new one for Black Shuck Shadows. It moves from folk horror in the Highlands to hard hitting action in its final tale. This is proof that Finch’s horror writing deserves as much credit as his crime fiction.
The Only Objects Welcomes Wolfgang Flür for an Excess of Hauntings
The Only Objects have released An Excess of Hauntings, an Adelaide art-rock record featuring former Kraftwerk percussionist Wolfgang Flür. Built around hauntology, lost futures and a puzzle-like companion art book, it’s out now nationally following the band’s Adelaide launch show.
Wearing the Enemy’s Face: Kelly McWilliams on American Nightmare
Kelly McWilliams talks to Ginger Nuts of Horror about American Nightmare, her Black horror novel built from Walter F. White’s real history as a NAACP spy during the Red Summer of 1919. She explains why the book, unlike her debut Mirror Girls, refuses any monster a reader could kill, and how the Atlanta Race Riot and racial passing shaped its uncanny, rule-less dread.
Rot Land by Michael Mulvihill: Political Horror for a Rotting World
Michael Mulvihill’s Rot Land drags the reader into Rathgar, a town where every resident carries their own strain of decay. This Rot Land review looks at how the novel turns crime, social media and entitlement into political horror with a wicked sense of humour. Our verdict: a hidden gem of a horror novel.
What Feeds Below Review: Tatiana Schlote-Bonne’s Cave Horror Fantasy Redefines YA Darkness
Tatiana Schlote-Bonne’s What Feeds Below is a YA horror fantasy that descends into the Void and refuses to let you back up for air. Cave horror, fungal body horror, and a devastating friendship story combine into something genuinely new. Our full review explores what makes this one of 2026’s essential horror reads.
Sometimes I Scare Myself by Jeneva Rose Review: Three Ways to Ruin Your Night
Jeneva Rose enters horror proper with Sometimes I Scare Myself, three fast, nasty stories built around a séance, a haunted house and a cursed object. Our five-star review finds thriller pacing, sharp supernatural hooks and plenty of reasons to mistrust an ordinary night.
Carrying by Samantha Josephs Review: The Trans Body Horror Debut You’ll Be Talking About
Samantha Josephs’s debut novel turns a stealth pregnancy into one of the most confident horror debuts in years. Ginger Nuts of Horror gives Carrying five stars and calls it essential reading for anyone who thinks they’ve seen everything body horror can do.
Most Haunted Hotels Review: Room Service from Beyond the Grave
Yvette Fielding opens the doors to haunted hotels in the fourth Most Haunted book, mixing paranormal investigation, local history and ghost stories for readers aged ten and over. Hannah Shaw returns to illustrate a brisk, creepy and hugely inviting piece of children’s horror non-fiction.
Keith Rosson’s Folk Songs for Trauma Surgeons Returns with a Playlist for the End of the World
Keith Rosson’s Folk Songs for Trauma Surgeons returns with a new paperback and eBook edition, bringing strange, funny and heartbreaking literary horror to readers on 1 October 2026.
The Queen of Twists Stops Playing Fair: Jeneva Rose on Sometimes I Scare Myself
Jeneva Rose steps away from thriller twists for Sometimes I Scare Myself, her first horror short story collection built from three dread soaked novellas. Ginger Nuts of Horror talks to her about Never Kill the Medium, The Nightmare House, All Curses Are Final, and why postpartum horror turned out to be the perfect ground for stories with no reckoning at the end.