Sam Neill has died aged 78. Most tributes will lead with Jurassic Park, but the horror world owes him a deeper debt. From Possession and Omen III to John Carpenter’s In the Mouth of Madness and the cult favourite Event Horizon, Neill built one of the genre’s strangest and best CVs. Here is our farewell to horror’s quiet master.
Kelly Creagh built a career on gothic dread, borrowing scaffolding from Poe, Leroux and Brontë. A Date with Death drops the dead authors entirely and writes Death straight, as a foul-mouthed skeleton falling for a children’s librarian. In this Kelly Creagh interview, she unpicks the craft of the paranormal romcom, the Poe fingerprints hidden in the jokes, and where the monster romance boom is actually heading.
AV Wilkes steps beyond the polar ice with Old Gods, a micro-collection of five reprinted cosmic and folk horror stories. From an 1881 whaling ship to a vampire-haunted seaside hotel, this is queer horror with real tenderness and a deep cold running through every page.
Jack Mackay follows his debut Gloam with The Haunting of Old Splinter, a middle grade horror that hands the old wishing claw legend to two comic-mad brothers on a Yorkshire moor. It is a Monkey’s Paw retelling with real teeth, and one of the finest children’s horror books of 2026.
Tony Jones returns with his latest YA horror and middle grade horror roundup, covering seven books that blend horror with thriller, dystopian and science fiction. Standouts include Dan Smith’s The Night House Files, perfect for reluctant readers, and twisty YA thrillers from Carlyn Greenwald and Dana Mele.
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Every Christmas Eve, an old Victorian don lights a lamp and tells his students a ghost story. Decades later, one of them must face what those tales were really about. My review of Tom Mead’s The Lamp in the Window, an eerie Christmas ghost story novella from Absinthe Books.
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Jack Rushton is a thirty-nine-year-old vampire who just wants to be left alone with his Radio 4 comedies and his unrequited crush. Instead, he’s been blackmailed by a six-hundred-year-old vampire queen, hunted by a clueless anti-vampire collective, and his teenage sister is developing migraines that might be something far worse. Gayle Ramage’s Jockula is a darkly comic Scottish vampire horror that earns both halves of that descriptor.
Rachel Feder’s The Turn is a contemporary Gothic novella that reimagines the classic governess narrative for the pandemic era. This unsettling literary horror explores the monstrous bond between caregiver and child, the politics of care, and the terror of having your own memory rewritten. A precise, slow-creeping piece of vampire fiction that earns every scare.
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Kristopher Woofter’s Archival Anxiety in Documentary and Mockumentary Horror offers a heady intellectual investigation into how films like Ghostwatch, Lake Mungo, and Unfriended capture our cosmic fears of the uncapturable. This academic study traces the genre’s evolution from gothic epistolary novels to screenlife horror, examining our fraught relationship with the cameras that document our lives—and our deaths.
Miranda Smith’s Scary Movie Night drops a woman into a costume party full of friends dressed as movie killers, then locks the doors. My horror book review digs into the meta-slasher and locked-room thriller, the final girl reborn, and the coercive-control story under the fun.
The Evil Dead franchise goes French extreme—and the humour is the first casualty.
Mike Brooks’s This Is Where the Future Bleeds is a dark fantasy adventure that asks what we owe each other when the world is ending. With sharp dialogue, queer representation, and creeping dread, it’s a book that refuses to look away from the bleeding future.
