Carlyn Greenwald’s What Happened to Those Girls drops her most moody, body-horror-heavy book yet: a sapphic YA slasher where the toxic friend group doesn’t dissolve when the killer arrives — it’s the whole point. The Murder Land author talks survivor’s guilt, autistic representation, interstitial “found footage” chapters, and why losing someone who hurt you is its own kind of grief.
Rebecca Barrow’s Doe is a YA horror novel in verse that uses sharp, incantatory lines to build a dual-narrative story of jealousy, an ancient deer-like entity, and a deal that costs everything. Full review.
Joshua Millican’s Dopefoot is cryptid horror that earns its monster the hard way, growing dread out of Northern California’s outlaw cannabis trade before the Bigfoot legend ever steps in. This Mad Axe Media release blends backwoods folk horror with gonzo extremity and lands as one of indie horror’s most distinctive reads of 2026.
Rebecca Barrow’s Doe is a YA horror novel in verse about a cheer captain, a centuries-tired deer creature, and the dangerous pull between girls. In our interview, Barrow digs into feminist horror, female rage, and why she wrote the squad as a single hive-mind “we.” A must-read for fans of Bad Things Happen Here and dual-timeline horror.
Hope Madden’s Roost is a literary folk horror novella that follows twin sisters Joy and Hope across four Easter birthdays in a slowly dying Ohio town. With Catholic dread, small-town American gothic atmosphere, and a winged shadow that keeps coming home, this 2026 Lacandon Jungle Press reissue proves Madden’s gift for restraint. Here is why this coming-of-age horror sits with you long after the final page.
Puppets in horror work because someone built them to be loved first. Furry Puppet Studio, the NYC custom puppet maker behind work for Apple, Casper, and Missy Elliott, shows why practical-effects horror keeps reaching for handmade faces. From Puppet Master to Dead Silence to Longlegs, the craft that delights is the same craft that frightens.
When a true-crime blogger insisted the killings in Harmed and Dangerous were real, Jasper Bark watched his own fiction bleed into fact. The truth was an alternate reality game engineered by Crystal Lake Publishing’s Naching T. Kassa — Killer Sleuth, fake QR codes, recorded readings and all. This is how a piece of viral book marketing fooled even a seasoned hoaxer.
KC Grifant’s Women of the Weird West gathers 25 stories and poems that hand the gun to every woman the old westerns left out. This weird western horror anthology from Brigids Gate Press blends frontier folklore, women in horror, and speculative western short stories into one of the sharpest entries in the weird west revival.
Horror author Tiffany Royster launched Echoes of the Forgotten on 12 June 2026, a folk horror series built on horror folklore and twelve standalone stories. In our interview she explains how the Broken Spine collective came together in twenty-four hours, why every author shares an equal voice, and what her own story Warden Tree adds to this multi-author horror series. She also hints at what the family plans to release next.
Graeme Reynolds’ By Dawn’s Early Light pulls private investigator Jack Carlton back into the dark, trading AA meetings for the hunt for a serial killer called The Witchfinder. This splatterpunk sequel to Night Bleeds Into Dawn blends occult detective horror, real human characters and unflinching gore — and a finale that truly rips.
India-Rose Bower’s debut We Call Them Witches is a folk horror that braids eldritch creatures, pagan ritual and a sapphic romance through a post-apocalyptic Britain. Our review digs into how Bower builds dread, writes family, and lands right on the front edge of where horror is heading.
Mark Morris’s Bad Things Happen Here is slow-burn British supernatural horror at its most character-driven and most unsettling. Five former university friends are pulled back together after twenty years when the past trauma they never actually dealt with starts bleeding into their children’s lives. Published by Flame Tree Press on 30 June 2026, this is ensemble horror fiction with the psychological precision and atmospheric dread that defines Morris at his best.
E. L. Chen’s Slasher Summer drops seven friends back at the cabin where their favourite 1980s slasher was filmed, then lets the masked killer arrive on schedule. My horror book review digs into the Final Girl twist, the meta-slasher structure, and why this throwback belongs beside books like The Final Girl Support Group.
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Mark Morris has been writing British horror fiction since 1989, and Bad Things Happen Here may be his most emotionally precise novel yet. In this wide-ranging interview, he talks about intergenerational fear, the Nordic folklore that shaped That Which Stands Outside, and what it actually takes to survive four decades in a genre that has buried far bigger names. Essential reading for anyone who takes UK horror seriously.
