Jonathan Wood discusses his novella Washed Up on Dark Shores, the horror of extreme wealth, and why naming the monster is the first step to fighting it.
Horror Interviews
Horror authors and filmmakers talk to Ginger Nuts of Horror about their new books and films, the influences behind them, and how they build fear on the page and on screen.
Summer Coven: Kat Hillis and Rosiee Thor Defang the Vampire
Summer Coven brings Kat Hillis and Rosiee Thor’s married vampire detectives back to Trident Falls for a second cozy paranormal mystery, this time knotted up with the Celestine Coven and a poisoned pet psychic. In our Dead & Breakfast interview, the pair explain what it costs to make horror’s oldest monster cosy, and where the fear goes when nobody is scared of the vampire any more.
Clay McLeod Chapman on Devil Inside and the Art of the Horrormance
A dead man, a demon, and the happily ever after that damns everyone else. Clay McLeod … Clay McLeod Chapman on Devil Inside and the Art of the HorrormanceRead more
Max Doty Interview: Domestic Horror in The House That Eats the Dead
Max Doty talks about The House That Eats the Dead, the domestic horror novel that began life as a NoSleep horror series and won the community’s Best Series award for 2023. He explains why the hungry house is a scavenger rather than a villain, how Save the Cat shaped his outlining, and how far Claire will go to protect her family. A horror author interview about houses, ownership, and the things we quietly agree to forget.
“He Just Wanted to Be Seen”: Luke Dumas on Cannibal Cravings, the Ozempic Era, and Writing Fat Shame as Body Horror
Luke Dumas unpacks the fat shame and cannibal cravings driving his Ozempic-era body horror Nothing Tastes as Good. From stolen paperbacks to Mounjaro prescriptions, this interview confronts the hunger beneath the weight-loss drug phenomenon and the mask we hand to strangers.
Zac Crook on Strikethrough: Demons, Obsession and Trauma
Zac Crook builds horror like a musician, one scene at a time. In this interview he opens up Strikethrough, his psychological horror novel about Harlem Ward, a man who thinks he understands himself and probably doesn’t. We talk demons, Shirley Jackson, and why he prints his own face onto a book cover.
“A Fate Far More Dangerous Than Death”: Kelly Creagh on Falling for the Reaper
Kelly Creagh built a career on gothic dread, borrowing scaffolding from Poe, Leroux and Brontë. A Date with Death drops the dead authors entirely and writes Death straight, as a foul-mouthed skeleton falling for a children’s librarian. In this Kelly Creagh interview, she unpicks the craft of the paranormal romcom, the Poe fingerprints hidden in the jokes, and where the monster romance boom is actually heading.
The Call Is Coming From Inside the House: A Conversation with Miranda Smith
In this interview, Miranda Smith reveals how Scary Movie Night blends Hitchcock homage and domestic suspense into a one-night locked-room thriller. A former scream queen’s costume party becomes a deadly game of masks, gaslighting, and intimate betrayal.
C.N. Vair Interview: Magic, Malice & Appalachian Horror
C.N. Vair’s The Devil Knows Her Name (published as Fawn in the UK) reimagines witchcraft as costly, physical, and entwined with Appalachian land. In this interview, she discusses the novel’s ecological argument, its refusal to romanticise magic, and what it means to write for the women who were called rebellious.
Sara Hinkley on The Red Sacrament: Vampires Who Microwave Fish
Costume designer Sarah Hinkley spent years dressing other people’s stories on the sets of SVU and Monsterland. Now she’s written her own: The Red Sacrament, a debut vampire novel set in a starving, besieged 1870 Paris. We talked queer vampire fiction, the long shadow of Interview with the Vampire, and why her immortals are petty, risk-averse, and far too tired of each other.










