C.N. Vair’s The Devil Knows Her Name (published as Fawn in the UK) reimagines witchcraft as costly, physical, and entwined with Appalachian land. In this interview, she discusses the novel’s ecological argument, its refusal to romanticise magic, and what it means to write for the women who were called rebellious.
Costume designer Sarah Hinkley spent years dressing other people’s stories on the sets of SVU and Monsterland. Now she’s written her own: The Red Sacrament, a debut vampire novel set in a starving, besieged 1870 Paris. We talked queer vampire fiction, the long shadow of Interview with the Vampire, and why her immortals are petty, risk-averse, and far too tired of each other.
Horror author Tiffany Royster launched Echoes of the Forgotten on 12 June 2026, a folk horror series built on horror folklore and twelve standalone stories. In our interview she explains how the Broken Spine collective came together in twenty-four hours, why every author shares an equal voice, and what her own story Warden Tree adds to this multi-author horror series. She also hints at what the family plans to release next.
Mark Morris has been writing British horror fiction since 1989, and Bad Things Happen Here may be his most emotionally precise novel yet. In this wide-ranging interview, he talks about intergenerational fear, the Nordic folklore that shaped That Which Stands Outside, and what it actually takes to survive four decades in a genre that has buried far bigger names. Essential reading for anyone who takes UK horror seriously.
C.J. Leede interview exploring her third horror novel Headlights, the grief-haunted open road, and why this quieter book may be her most unsettling yet.
Hildur Knútsdóttir’s Dead Weight is a slow-burning psychological thriller that anchors its horror in the realest threat of all—the violence women face from those who claim to love them.
Jill Palmer’s Frostbite isn’t just a zombie novel. It‘s a brutal， hopeful exploration of choosing your own family when the world has already ended.
What Pliego builds in The Library After Dark is less a locked-room mystery and more a labyrinth where the architecture itself remembers, each corridor a mirror reflecting the protagonist’s buried history and the lies she has told herself to survive.
The debut author discusses hidden sanctuaries, revenge as transformation, and the dark heart of her feminist horror fairy tale.
I recently spoke with the author about how Accumulation balances supernatural horror with the horror of daily compromise. We discussed the house itself, based on her own 1750s home, where she wrote the novel.
Desire to create is the fuel that stokes me to write. Cathartic and sometimes obsessive, creation … Dean Cade Author Interview: Queer Horror, True Crime, and the Summer 1973 TrilogyRead more
“A working‑class kid, a London built from broken skyscrapers, and a chaos magic system that bends … The Lighthouse at the End of the World: Philip A. Suggars on Urban Fantasy, Social Mobility, and Inherited TraumaRead more
The haunting was always real. Thompson just gave it a name. Social horror has always worked … The Ghost Is the System: Tamika Thompson on The Curse of Hester Gardens and the Horror America BuiltRead more
The knight finds the girl in a dead village. She speaks of angels. He has forgotten … Hell and Redemption: A Christopher Buehlman Interview on Between Two FiresRead more
What happens when two righteous men face off? A journey into the heart of biblical horror. … David Scott Hay on The Butcher of Nazareth: A Biblical Horror MasterpieceRead more
