In Crone, Keith Rosson binds a Pacific Northwest crime noir to a folk horror ghost story, following a grieving ex-detective … Crone by Keith Rosson: Folk Horror Noir That Bites BackRead more
Alex Hunter sits down with Ginger Nuts of Horror to talk about The House That Screamed, his meta horror take … Alex Hunter on The House That Screamed and Haunting the ReaderRead more
Penny Lane Is Dead delivers strong practical gore and real tension inside its beach house setting. But Hope Madden finds … Penny Lane Is Dead Review: Home Invasion HorrorRead more
A four part survival guide to authors responding to reviews, from the negative one you must never answer to the … Should Authors Respond to Reviews? A Field Guide for the FragileRead more
Tony Jones rounds up five new YA horror novels for August 2026. Cynthia Murphy’s Paint Me Like Your Dead Girls … Five New YA Horror Novels: Which Ones Deliver? – The Young Blood Library August Round-UpRead more
Jo Salazar’s If We Survive the Night started out as The Dead Weight, released by the author herself, and arrives from Sourcebooks Fire in 2026. In this interview, the YA zombie writer talks about building a protagonist you follow but never trust, writing institutional damage without a diagnosis, and why Quinn will never get the redemption arc readers keep waiting for.
Horror Promotion on The Ginger Nuts of Horror Website Hey folks, The Ginger Nuts of Horror … Horror Promotion on The Ginger Nuts of Horror WebsiteRead more
Alex Hunter sits down with Ginger Nuts of Horror to talk about The House That Screamed, his meta horror take on the haunted house novel. He explains why minds now frighten him more than monsters, how Peter Straub gave him permission to break the rules, and why he trusts readers to decide what the real horror is.
In Crone, Keith Rosson binds a Pacific Northwest crime noir to a folk horror ghost story, following a grieving ex-detective through a corrupt town toward a witch who has been keeping his missing daughter for thirteen years. It is body-horror addiction, biker-gang rot, and generational violence, held together by prose of frightening control
Rachel Harrison sits down to talk Kiss Slay Replay, the wedding weekend time loop horror that follows Play Nice and Such Sharp Teeth. She explains why she never set out to write a slasher, what the loop is really processing, and how a Blink-182 song and a Virgo’s fear of losing control fed the book. It is a horror comedy interview about grief, choreography, and stubborn hope.
Gretchen McNeil’s second adult novel drops a former-FBI priest and a stubborn constable on a boat-less Newfoundland island where the locals crave daily Mass. Our five-star review reads We Are For The Dark as religious folk horror that fuses detective fiction, Catholic dread, and a love story into one merciless question.
Tony Jones rounds up five new YA horror novels for August 2026. Cynthia Murphy’s Paint Me Like Your Dead Girls leads the pack as a top recommendation for schools, while Vincent Ralph’s Bleak Haven Quartet ends on a minor high. Melinda Salisbury and Jacqueline West deliver Folk Horror and small town chills.
Hell is a company in Mackenzie Reed’s adult debut, and the joke mostly works. Our four-star review gets into the corporate-underworld satire, the slow-burn romance, the grief thread, and the worldbuilding that strains under its own reveals.
Penny Lane Is Dead delivers strong practical gore and real tension inside its beach house setting. But Hope Madden finds the home invasion horror undercut by tonal clashes and a third act aimed at the wrong target.
Vincent Ralph talks us through Corpse Creek, the grief horror centrepiece of his Bleak Haven series, and the drowned brother who will not stay under. He explains how four YA horror novels rework R.L. Stine’s Fear Street into something darker, and why Fear Farm had to end the whole thing in blood.
In Still Lost, Sam A. Miller hands the deadpan of Sam O’Nella Academy a nervous system. His eight linked near-future science fiction stories let a superior alien race fix every human threat, then watch us wreck ourselves anyway. A debut short story collection that runs warmer than Black Mirror and closer to George Saunders.
Susan McCauley’s The Raven is a four-star gothic horror novel set in the 1665 plague winter, where a Yorkshire cobbler’s grief, faith and madness braid into folk-horror dread. A patient, disturbing historical horror about the monster who keeps a kind face.
